ExaminaBrowse pre-defined classification hierarchiestítolBrowse by TítolAutorBrowse by CreadorMatèriaBrowse by Catalan_subjectAnyBrowse by Datavolums completsBrowse by Títoladmin@example.comhttps://ibdigital.uib.es/greenstone/library?l=cahttps://ibdigital.uib.es
1994199519961997199819991tm_2000_/n0064_p0/08.dirTemps moderns 2000, no. 64, p 008Aguiló, Catalinatm_2000_n0064_p008.pdf01313= Visita reialtm_2000_n0064_p008.pdf11598241913: Visita reial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p008.pdftm_2000_/n0064_p0/08.dir2tm_2000_/n0060_p0/08.dirTemps moderns 2000, no. 60, p 008-009Bonet, Danitm_2000_n0060_p008.pdf0fj}| flhhas Hiarnstami o Tart del poema visual |tm_2000_n0060_p008.pdf2733319Abbas Kiarostami o l'art del poema visual<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p008.pdftm_2000_/n0060_p0/08.dir2tm_2000_/n0064_p0/26.dirTemps moderns 2000, no. 64, p 026-027Vidal, Miquel Àngeltm_2000_n0064_p026.pdf0Agustí Villarongatm_2000_n0064_p026.pdf1837827Agustí Villaronga<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p026.pdftm_2000_/n0064_p0/26.dir2tm_2000_/n0060_p0/20.dirTemps moderns 2000, no. 60, p 020-021Romaguera, Josep Carlestm_2000_n0060_p020.pdf0Apunts atm_2000_n0060_p020.pdf2719909Algunes petjades de cel·luloide de l'any 99Apunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p020.pdftm_2000_/n0060_p0/20.dir1tm_2000_/n0063_p0/08.dirTemps moderns 2000, no. 63, p 008Serra, Antonitm_2000_n0063_p008.pdf0Almodóvartm_2000_n0063_p008.pdf977651Almodóvar: «Oscaritza», que no en queda res<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p008.pdftm_2000_/n0063_p0/08.dir1tm_2000_/n0061_p0/13.dirTemps moderns 2000, no. 61, p 013Alberich, Enrictm_2000_n0061_p013.pdf00 | flmh el melodrama a la sang |tm_2000_n0061_p013.pdf1134105Amb el melodrama a la sang<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p013.pdftm_2000_/n0061_p0/13.dir2tm_2000_/n0067_p0/21.dirTemps moderns 2000, no. 67, p 021-022Cobas Amate, Robertotm_2000_n0067_p021.pdf0Aplegar la llum del Carib. Un reptetm_2000_n0067_p021.pdf2029427Aplegar la llum del Carib. Un repte a la imaginació<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p021.pdftm_2000_/n0067_p0/21.dir2tm_2000_/n0061_p0/10.dirTemps moderns 2000, no. 61, p 010-011Romaguera, Joan Carlestm_2000_n0061_p010.pdf0Apunts a contralllumtm_2000_n0061_p010.pdf2581552Aprendre a mirar la realitat: el neorealismeApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p010.pdftm_2000_/n0061_p0/10.dir2tm_2000_/n0063_p0/24.dirTemps moderns 2000, no. 63, p 024-025Martorell, Martítm_2000_n0063_p024.pdf0Apronimació a la definició de cinema negre (V)tm_2000_n0063_p024.pdf2287083Apronimació a la definició de cinema negre (V)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p024.pdftm_2000_/n0063_p0/24.dir2tm_2000_/n0059_p0/08.dirTemps moderns 2000, no. 59, p 008-009Torrandell, Martítm_2000_n0059_p008.pdf0I DproKio a la definició de cinema negre |tm_2000_n0059_p008.pdf2758246Aproximació a la definició de cinema negre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p008.pdftm_2000_/n0059_p0/08.dir2tm_2000_/n0060_p0/18.dirTemps moderns 2000, no. 60, p 018-019Torrandell, Martítm_2000_n0060_p018.pdf0IflproHimacióa la definició de cinema negre (II)tm_2000_n0060_p018.pdf2746305Aproximació a la definició de cinema negre (II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p018.pdftm_2000_/n0060_p0/18.dir2tm_2000_/n0065_p0/18.dirTemps moderns 2000, no. 65, p 018-019Martorell, Martítm_2000_n0065_p018.pdf0I Aproximació a la definició de cinema negre (ÏI) |tm_2000_n0065_p018.pdf2272799Aproximació a la definició de cinema negre (ÏI)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p018.pdftm_2000_/n0065_p0/18.dir2tm_2000_/n0061_p0/24.dirTemps moderns 2000, no. 61, p 024-025Torrandell, Martítm_2000_n0061_p024.pdf0•/i Mtm_2000_n0061_p024.pdf2543907Aproximació a la definició de cinema negre (III)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p024.pdftm_2000_/n0061_p0/24.dir3tm_2000_/n0062_p0/04.dirTemps moderns 2000, no. 62, p 004-006Torrandell, Martítm_2000_n0062_p004.pdf0Hpronimaciu a la definició de cinemanegre (Iï)tm_2000_n0062_p004.pdf2828200Aproximació a la definició de cinema negre (IV)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p004.pdftm_2000_/n0062_p0/04.dir2tm_2000_/n0067_p0/04.dirTemps moderns 2000, no. 67, p 004-005Martorell, Martítm_2000_n0067_p004.pdf0flproniíïiació a la definició de Cinema negre (VII)tm_2000_n0067_p004.pdf2238256Aproximació a la definició de Cinema negre (VII)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p004.pdftm_2000_/n0067_p0/04.dir1tm_2000_/n0062_p0/13.dirTemps moderns 2000, no. 62, p 013González, Hazaeltm_2000_n0062_p013.pdf013 Bandes de so BadalamentL un altre dels oblidatstm_2000_n0062_p013.pdf921485Badalamenti, un altre dels oblidatsBandes de so<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p013.pdftm_2000_/n0062_p0/13.dir4tm_2000_/n0066_p0/08.dirTemps moderns 2000, no. 66, p 008-011Jordà, Eduardotm_2000_n0066_p008.pdf0ly 9tm_2000_n0066_p008.pdf4828147Barry FitzgeraldAfectes secundaris<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p008.pdftm_2000_/n0066_p0/08.dir2tm_2000_/n0063_p0/14.dirTemps moderns 2000, no. 63, p 014-015Romaguera, Josep Carlestm_2000_n0063_p014.pdf0Apunts a contrallumtm_2000_n0063_p014.pdf2131682Benvinguts a l'univers de Don LuisApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p014.pdftm_2000_/n0063_p0/14.dir1tm_2000_/n0059_p0/20.dirTemps moderns 2000, no. 59, p 020Rincón Qués, Maria Franciscatm_2000_n0059_p020.pdf0Bernard Herrmanntm_2000_n0059_p020.pdf1386079Bernard Herrmann<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p020.pdftm_2000_/n0059_p0/20.dir1tm_2000_/n0062_p0/17.dirTemps moderns 2000, no. 62, p 017Consell Editorialtm_2000_n0062_p017.pdf017tm_2000_n0062_p017.pdf1184478BiofilmografiaEspecial Dreyer Dreyer, Carl Theodor, 1889-1968<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p017.pdftm_2000_/n0062_p0/17.dir1tm_2000_/n0060_p0/14.dirTemps moderns 2000, no. 60, p 014Millán Martin, Albertotm_2000_n0060_p014.pdf0I Blade Runner d de com l'home esdevengué Déu |tm_2000_n0060_p014.pdf1433699Blade Runner o de com l'home esdevengué Déu<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p014.pdftm_2000_/n0060_p0/14.dir1tm_2000_/n0064_p0/15.dirTemps moderns 2000, no. 64, p 015Martí, Jorgetm_2000_n0064_p015.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p015.pdf1298384Blade Runner: la ciutat del futurLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p015.pdftm_2000_/n0064_p0/15.dir3tm_2000_/n0062_p0/10.dirTemps moderns 2000, no. 62, p 010-012Jordà, Eduardotm_2000_n0062_p010.pdf010tm_2000_n0062_p010.pdf2912107Boris KarloftAfectes secundaris<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p010.pdftm_2000_/n0062_p0/10.dir1tm_2000_/n0064_p0/13.dirTemps moderns 2000, no. 64, p 013Pons, Pere Antonitm_2000_n0064_p013.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p013.pdf1225591BrigadoonLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p013.pdftm_2000_/n0064_p0/13.dir1tm_2000_/n0066_p0/05.dirTemps moderns 2000, no. 66, p 005Roca, Tonitm_2000_n0066_p005.pdf0MIES (d'amor?) I (I)tm_2000_n0066_p005.pdf1051417Cartes (d'amor?) a Bogard (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p005.pdftm_2000_/n0066_p0/05.dir1tm_2000_/n0061_p0/21.dirTemps moderns 2000, no. 61, p 021Roca, Tonitm_2000_n0061_p021.pdf0Catherine, a París sota la pluja de tardor descobrein I perquè els periodistes estimen Roberto Rosel...tm_2000_n0061_p021.pdf1283274Catherine, a París sota la pluja de tardor descobreix perquè els periodistes estimen Roberto Rosellini (i III)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p021.pdftm_2000_/n0061_p0/21.dir1tm_2000_/n0060_p0/17.dirTemps moderns 2000, no. 60, p 017Roca, Tonitm_2000_n0060_p017.pdf0Catherine, a París sota la pluja de tardón descobreix per p è els periodistes estimen Roberto Rosell...tm_2000_n0060_p017.pdf1438279Catherine, a París sota la pluja de tardor, descobreix per què els periodistes estimen Roberto Rosellini (II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p017.pdftm_2000_/n0060_p0/17.dir1tm_2000_/n0059_p0/11.dirTemps moderns 2000, no. 59, p 011Roca, Tonitm_2000_n0059_p011.pdf0Catherine, a París, seta la pluja de tardor, descobreix per què els periodistes estiman. Roberto Ros...tm_2000_n0059_p011.pdf1347244Catherine, a París, sota la pluja de tardor, descobreix per què els periodistes estiman. Roberto Rossellini (1) (Homenatge a Françoise Truffaut)Catherine, a París, seta la pluja de tardor, descobreix per què els periodistes estimam Roberto Rossellini (1). (Homenatge a Françoise Truffaut)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p011.pdftm_2000_/n0059_p0/11.dir1tm_2000_/n0067_p0/25.dirTemps moderns 2000, no. 67, p 025Franco, Joseptm_2000_n0067_p025.pdf0Cicle cinema i semiòticatm_2000_n0067_p025.pdf1152468Cicle cinema i semiòtica. Sobre els límits, els marges i les fronteres del cinema contemporani. Un cicle sobre la necessitat de recuperar la memòria<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p025.pdftm_2000_/n0067_p0/25.dir1tm_2000_/n0066_p0/21.dirTemps moderns 2000, no. 66, p 021Farres, Carlestm_2000_n0066_p021.pdf0ASSOCIACIÓ PER A LA COMMEMORACIÓ DEL I CENTENARI DE LA PUBLICACIÓ DE "LA INTERPRETACIÓ DELS SOMNIS" ...tm_2000_n0066_p021.pdf924049Cinema i somnis<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p021.pdftm_2000_/n0066_p0/21.dir3tm_2000_/n0065_p0/04.dirTemps moderns 2000, no. 65, p 004-006Osanz, Feliptm_2000_n0065_p004.pdf0I Cinema Jove 2000, cine sota el sol |tm_2000_n0065_p004.pdf2724446Cinema Jove 2000, cine sota el sol<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p004.pdftm_2000_/n0065_p0/04.dir1tm_2000_/n0066_p0/13.dirTemps moderns 2000, no. 66, p 013Martorell, Martítm_2000_n0066_p013.pdf013tm_2000_n0066_p013.pdf1021254Cinemacampus<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p013.pdftm_2000_/n0066_p0/13.dir3tm_2000_/n0063_p0/04.dirTemps moderns 2000, no. 63, p 004-006Fisavitm_2000_n0063_p004.pdf0Colúmbiatm_2000_n0063_p004.pdf2791888Colúmbia. La dama de la torxa<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p004.pdftm_2000_/n0063_p0/04.dir1tm_2000_/n0064_p0/29.dirTemps moderns 2000, no. 64, p 029Bover, Joantm_2000_n0064_p029.pdf0CRITICAtm_2000_n0064_p029.pdf906571Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p029.pdftm_2000_/n0064_p0/29.dir1tm_2000_/n0063_p0/29.dirTemps moderns 2000, no. 63, p 029Bover, Joantm_2000_n0063_p029.pdf029tm_2000_n0063_p029.pdf978330Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p029.pdftm_2000_/n0063_p0/29.dir2tm_2000_/n0063_p0/22.dirTemps moderns 2000, no. 63, p 022-023López Crespí, Miqueltm_2000_n0063_p022.pdf0I De les maquinetes Ick" a Dlarilp IDonroe |tm_2000_n0063_p022.pdf2214591De les maquinetes "Nick" a Marilyn Monroe<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p022.pdftm_2000_/n0063_p0/22.dir1tm_2000_/n0059_p0/14.dirTemps moderns 2000, no. 59, p 014Franco, Joseptm_2000_n0059_p014.pdf0De Personaí l i p a r Bergmantm_2000_n0059_p014.pdf1411347De Persona d'Ingmar Bergman<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p014.pdftm_2000_/n0059_p0/14.dir1tm_2000_/n0061_p0/16.dirTemps moderns 2000, no. 61, p 016Franco, Joseptm_2000_n0061_p016.pdf0CINEMAtm_2000_n0061_p016.pdf1180426Dijous Sant, de Jaume VidalCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p016.pdftm_2000_/n0061_p0/16.dir3tm_2000_/n0067_p0/17.dirTemps moderns 2000, no. 67, p 017-019Revesado, Iñakitm_2000_n0067_p017.pdf0fj I Donostia EDDO, un balanç discrettm_2000_n0067_p017.pdf2916159Donostia 2000, un balanç discret<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p017.pdftm_2000_/n0067_p0/17.dir2tm_2000_/n0062_p0/08.dirTemps moderns 2000, no. 62, p 008-009Romaguera, Joan Carlestm_2000_n0062_p008.pdf0Dues cites ineludibles | Apunts atm_2000_n0062_p008.pdf1800638Dues cites ineludiblesApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p008.pdftm_2000_/n0062_p0/08.dir1tm_2000_/n0063_p0.dirTemps moderns 2000, no. 63, p 003Consell Editorialtm_2000_n0063_p003.pdf0Editorialtm_2000_n0063_p003.pdf710251EditorialÈxode<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p003.pdftm_2000_/n0063_p0.dir1tm_2000_/n0067_p0.dirTemps moderns 2000, no. 67, p 003Consell Editorialtm_2000_n0067_p003.pdf0Editorialtm_2000_n0067_p003.pdf488294Editorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p003.pdftm_2000_/n0067_p0.dir1tm_2000_/n0060_p0.dirTemps moderns 2000, no. 60, p 003Consell Editorialtm_2000_n0060_p003.pdf0Editorialtm_2000_n0060_p003.pdf836467EditorialTradutore, traditori<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p003.pdftm_2000_/n0060_p0.dir1tm_2000_/n0062_p0.dirTemps moderns 2000, no. 62, p 003Consell Editorialtm_2000_n0062_p003.pdf0Editorialtm_2000_n0062_p003.pdf941796Editorial¿I pelle?<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p003.pdftm_2000_/n0062_p0.dir1tm_2000_/n0068_p0.dirTemps moderns 2000, no. 68, p 003Consell Editorialtm_2000_n0068_p003.pdf0Editorialtm_2000_n0068_p003.pdf306163Editorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0068_p003.pdftm_2000_/n0068_p0.dir1tm_2000_/n0061_p0.dirTemps moderns 2000, no. 61, p 003Consell Editorialtm_2000_n0061_p003.pdf0Editorialtm_2000_n0061_p003.pdf1170352EditorialDe tot i molt<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p003.pdftm_2000_/n0061_p0.dir1tm_2000_/n0065_p0/12.dirTemps moderns 2000, no. 65, p 012Salvà Lara, Jaumetm_2000_n0065_p012.pdf0El món a Tenrevéstm_2000_n0065_p012.pdf1169320El cine és política (I)El món a l'enrevés<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p012.pdftm_2000_/n0065_p0/12.dir1tm_2000_/n0067_p0/20.dirTemps moderns 2000, no. 67, p 020López Crespí, Miqueltm_2000_n0067_p020.pdf0I El cinema a sa Pobla (i II) |tm_2000_n0067_p020.pdf1100985El cinema a sa Pobla (i II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p020.pdftm_2000_/n0067_p0/20.dir2tm_2000_/n0065_p0/14.dirTemps moderns 2000, no. 65, p 014-015López Crespí, Miqueltm_2000_n0065_p014.pdf014tm_2000_n0065_p014.pdf2058329El cinema a sa Pobla: record de Buster Keaton i els germans Hlarn (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p014.pdftm_2000_/n0065_p0/14.dir1tm_2000_/n0067_p0/06.dirTemps moderns 2000, no. 67, p 006Salvà Lara, Jaumetm_2000_n0067_p006.pdf0El món a l'inrevéstm_2000_n0067_p006.pdf1093579El Cinema és política (i III)El món a l'enrevés<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p006.pdftm_2000_/n0067_p0/06.dir1tm_2000_/n0066_p0/06.dirTemps moderns 2000, no. 66, p 006Salvà Lara, Jaumetm_2000_n0066_p006.pdf0El món a Vinrevéstm_2000_n0066_p006.pdf1183999El cinema és política (II)El món a l'enrevés<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p006.pdftm_2000_/n0066_p0/06.dir2tm_2000_/n0067_p0/23.dirTemps moderns 2000, no. 67, p 023-024Romaguera, Josep Carlestm_2000_n0067_p023.pdf023tm_2000_n0067_p023.pdf2197809El cinema es posa davant el mirallApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p023.pdftm_2000_/n0067_p0/23.dir1tm_2000_.dirTemps moderns 2000, no. 59, p 004Oliver, Antonitm_2000_n0059_p004.pdf0£1 cinema i el perdedortm_2000_n0059_p004.pdf1357082El cinema i el perdedor<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p004.pdftm_2000_.dir2tm_2000_/n0060_p0/12.dirTemps moderns 2000, no. 60, p 012-013López Crespí, Miqueltm_2000_n0060_p012.pdf0Eisensteintm_2000_n0060_p012.pdf2556560El cinema, la clandestinitat i els viatges a l'estranger (i 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border='0'/>tm_2000_n0061_p015.pdftm_2000_/n0061_p0/15.dir1tm_2000_/n0061_p0/17.dirTemps moderns 2000, no. 61, p 017Aguiló, Catalinatm_2000_n0061_p017.pdf0CINEMAtm_2000_n0061_p017.pdf1149497El Hombre de las BalearesCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p017.pdftm_2000_/n0061_p0/17.dir1tm_2000_/n0064_p0/28.dirTemps moderns 2000, no. 64, p 028Franco, Joseptm_2000_n0064_p028.pdf0CRITICAtm_2000_n0064_p028.pdf1095743El Mar d'Agustí VillarongaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p028.pdftm_2000_/n0064_p0/28.dir2tm_2000_/n0061_p0/08.dirTemps moderns 2000, no. 61, p 008-009Monterde, José Enriquetm_2000_n0061_p008.pdf0Itm_2000_n0061_p008.pdf2511208El moment neorealista<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p008.pdftm_2000_/n0061_p0/08.dir2tm_2000_/n0063_p0/16.dirTemps moderns 2000, no. 63, p 016-017Salvà Lara, Jaumetm_2000_n0063_p016.pdf0El món a 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border='0'/>tm_2000_n0065_p007.pdftm_2000_/n0065_p0/07.dir1tm_2000_/n0066_p0/19.dirTemps moderns 2000, no. 66, p 019Leyva, Alejandrotm_2000_n0066_p019.pdf0» I Luis Buñuel un creador en tres temps |tm_2000_n0066_p019.pdf1004790Luis Buñuel un creador en tres temps<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p019.pdftm_2000_/n0066_p0/19.dir1tm_2000_/n0065_p0/22.dirTemps moderns 2000, no. 65, p 022Vallés, Matíastm_2000_n0065_p022.pdf0$ I Hlatthaa el braç desarmat de Billy líder |tm_2000_n0065_p022.pdf1294518Matthau, el braç desarmat de Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p022.pdftm_2000_/n0065_p0/22.dir1tm_2000_/n0064_p0/14.dirTemps moderns 2000, no. 64, p 014Garcia Pons, Francesctm_2000_n0064_p014.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p014.pdf1321344Més que imaginària, fantasmaLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p014.pdftm_2000_/n0064_p0/14.dir2tm_2000_/n0064_p0/16.dirTemps moderns 2000, no. 64, p 016-017González, Reynaldotm_2000_n0064_p016.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p016.pdf2820379Metrópolis, arma de doble tallLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p016.pdftm_2000_/n0064_p0/16.dir1tm_2000_/n0060_p0/04.dirTemps moderns 2000, no. 60, p 004-005Obrador, Joantm_2000_n0060_p004.pdf0UlontKD Hrmendáriz... Cineasta lüittgenstenià |tm_2000_n0060_p004.pdf2923961Montxo Armendáriz... Cineasta Wittgenstenià<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p004.pdftm_2000_/n0060_p0/04.dir1tm_2000_/n0063_p0/09.dirTemps moderns 2000, no. 63, p 009Vidal Reynés, Jorditm_2000_n0063_p009.pdf0música i Pèpulmtm_2000_n0063_p009.pdf902208Música i Pèplum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p009.pdftm_2000_/n0063_p0/09.dir1tm_2000_/n0061_p0/14.dirTemps moderns 2000, no. 61, p 014Flores, Xaviertm_2000_n0061_p014.pdf014 Ileorealisnie: període, moviment estiltm_2000_n0061_p014.pdf1247218Neorealisme: període, moviment, estil<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p014.pdftm_2000_/n0061_p0/14.dir2tm_2000_/n0060_p0/06.dirTemps moderns 2000, no. 60, p 006-007Figuera, Antonitm_2000_n0060_p006.pdf0Dotes damunt d'un pentagramatm_2000_n0060_p006.pdf2746405Notes damunt d'un pentagrama(Sempre fa bon temps a Nova York, encara que plogui)*<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p006.pdftm_2000_/n0060_p0/06.dir1tm_2000_/n0065_p0/23.dirTemps moderns 2000, no. 65, p 023Alberich, Enrictm_2000_n0065_p023.pdf023tm_2000_n0065_p023.pdf863294Oblidar Gassman?<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p023.pdftm_2000_/n0065_p0/23.dir1tm_2000_/n0062_p0/07.dirTemps moderns 2000, no. 62, p 007Pons, Pere Antonitm_2000_n0062_p007.pdf0i Franztm_2000_n0062_p007.pdf919816Orson i Franz<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p007.pdftm_2000_/n0062_p0/07.dir1tm_2000_/n0063_p0/12.dirTemps moderns 2000, no. 63, p 012-013González, Hazaeltm_2000_n0063_p012.pdf0Bandes de so Oscars 99= Cadascú és cadascú...tm_2000_n0063_p012.pdf2301826Oscars 99: Cadascú és cadascú...Bandes de so<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p012.pdftm_2000_/n0063_p0/12.dir1tm_2000_/n0064_p0/07.dirTemps moderns 2000, no. 64, p 007González, Hazaeltm_2000_n0064_p007.pdf0ttl Bandes deso Patríck Doules: living theatretm_2000_n0064_p007.pdf913880Patríck Doules: living theatreBandes de so<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p007.pdftm_2000_/n0064_p0/07.dir3tm_2000_/n0067_p0/08.dirTemps moderns 2000, no. 67, p 008-010Sánchez-Cuenca, F. Javiertm_2000_n0067_p008.pdf0Paul I r i k un nòmada enpiisit a la cort de De ululetm_2000_n0067_p008.pdf3147925Paul Iribe, un nòmada exquisit a la cort de De Mille<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0067_p008.pdftm_2000_/n0067_p0/08.dir3tm_2000_/n0064_p0/20.dirTemps moderns 2000, no. 64, p 020-022Jordà, Eduardotm_2000_n0064_p020.pdf0LES CIUTATS IMAGINARIES DEL CINEMAtm_2000_n0064_p020.pdf4041860Per on s'hi va, a Innisfree?Les ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p020.pdftm_2000_/n0064_p0/20.dir2tm_2000_/n0063_p0/20.dirTemps moderns 2000, no. 63, p 020-021Obrador, Joantm_2000_n0063_p020.pdf0Petits exegesistm_2000_n0063_p020.pdf2269240Petits exegesis buñuelianes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p020.pdftm_2000_/n0063_p0/20.dir2tm_2000_/n0065_p0/24.dirTemps moderns 2000, no. 65, p 024-025Seguí Morey, Miqueltm_2000_n0065_p024.pdf0- I Pioners de l'animació a l'Estat espanyol |tm_2000_n0065_p024.pdf2041026Pioners de l'animació a l'Estat espanyol<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p024.pdftm_2000_/n0065_p0/24.dir1tm_2000_/n0068_p0/04.dirTemps moderns 2000, no. 68, p 004Oliver, Antonitm_2000_n0068_p004.pdf0Pobres de tots dos i de tots. elfinal Ul tercer hombretm_2000_n0068_p004.pdf927968Pobres de tots dos i de tots. el final d'El tercer hombre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0068_p004.pdftm_2000_/n0068_p0/04.dir1tm_2000_/n0061_p0/18.dirTemps moderns 2000, no. 61, p 018Salvà Lara, Jaumetm_2000_n0061_p018.pdf0Les mentidestm_2000_n0061_p018.pdf1156523Porter (i II)Les mentides d'una gàbia de vidreCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p018.pdftm_2000_/n0061_p0/18.dir1tm_2000_/n0059_p0.dirTemps moderns 2000, no. 59, p 005Salvà Lara, Jaumetm_2000_n0059_p005.pdf0Les mentides d'una gàbia de vidretm_2000_n0059_p005.pdf1033892Porter (I)Les mentides d'una gàbia de vidre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p005.pdftm_2000_/n0059_p0.dir1tm_2000_/n0060_p0/16.dirTemps moderns 2000, no. 60, p 016Aguiló, Catalinatm_2000_n0060_p016.pdf0CINEMAtm_2000_n0060_p016.pdf1495746Qui va dir cinema mut? (i II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p016.pdftm_2000_/n0060_p0/16.dir3tm_2000_/n0064_p0/04.dirTemps moderns 2000, no. 64, p 004-006Fisavitm_2000_n0064_p004.pdf0La menor de les "majors"tm_2000_n0064_p004.pdf2517412R.K.O. La menor de les "majors"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p004.pdftm_2000_/n0064_p0/04.dir8tm_2000_/n0065_p0/26.dirTemps moderns 2000, no. 65, p 026-033Ramírez, Sergiotm_2000_n0065_p026.pdf026tm_2000_n0065_p026.pdf10118732Retrat de nin amb àngel<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p026.pdftm_2000_/n0065_p0/26.dir1tm_2000_/n0065_p0/13.dirTemps moderns 2000, no. 65, p 013Flores, Xaviertm_2000_n0065_p013.pdf0Q Ü E S T I O N A R I MARXtm_2000_n0065_p013.pdf731283Reynaldo González. Director Cinemateca CubanaQúestionari Marx<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p013.pdftm_2000_/n0065_p0/13.dir1tm_2000_/n0066_p0.dirTemps moderns 2000, no. 66, p 004Rotger, Francesc M.tm_2000_n0066_p004.pdf0L'escenari de llaunatm_2000_n0066_p004.pdf1217235Romeu Verne i Julieta WoolfL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0066_p004.pdftm_2000_/n0066_p0.dir2tm_2000_/n0065_p0/16.dirTemps moderns 2000, no. 65, p 016-017Figuera, Antonitm_2000_n0065_p016.pdf0Els meustm_2000_n0065_p016.pdf2156177Sam Peckinpah (El darrer independent)Els meus clàssics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p016.pdftm_2000_/n0065_p0/16.dir1tm_2000_/n0062_p0/20.dirTemps moderns 2000, no. 62, p 020Serra, Antonitm_2000_n0062_p020.pdf020 Secundaris de pel·lículatm_2000_n0062_p020.pdf1086380Secundaris de pel·lícula (o quan Dijous Sant era promíscuament divendres)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p020.pdftm_2000_/n0062_p0/20.dir1tm_2000_/n0061_p0/12.dirTemps moderns 2000, no. 61, p 012Serra, Antonitm_2000_n0061_p012.pdf0Sensibilitat política i c u l t a , 12 el neorealisme com a instrument d arttm_2000_n0061_p012.pdf1316571Sensibilitat política i culta: el neorealisme com a instrument d'art<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p012.pdftm_2000_/n0061_p0/12.dir1tm_2000_/n0059_p0/07.dirTemps moderns 2000, no. 59, p 007Obrador, Joantm_2000_n0059_p007.pdf0I Singin in the rain... (La cara oculta)tm_2000_n0059_p007.pdf1371268Singin in the rain... (La cara oculta)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p007.pdftm_2000_/n0059_p0/07.dir1tm_2000_/n0068_p0/05b.dirTemps moderns 2000, no. 68, p 005Gubern, Romàtm_2000_n0068_p005b.pdf0(La vErgüEiiza)tm_2000_n0068_p005b.pdf903999Sunset boulevard<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0068_p005b.pdftm_2000_/n0068_p0/05b.dir2tm_2000_/n0062_p0/18.dirTemps moderns 2000, no. 62, p 018-019Seguí Morey, Miqueltm_2000_n0062_p018.pdf018tm_2000_n0062_p018.pdf1892096Tex Avery, entre el conill i el lleó<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p018.pdftm_2000_/n0062_p0/18.dir1tm_2000_/n0064_p0.dirTemps moderns 2000, no. 64, p 003Consell Editorialtm_2000_n0064_p003.pdf03tm_2000_n0064_p003.pdf845635To be or not to beEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p003.pdftm_2000_/n0064_p0.dir1tm_2000_/n0064_p0/10.dirTemps moderns 2000, no. 64, p 010Serra, Antonitm_2000_n0064_p010.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p010.pdf1416929Totes les ciutats, la Ciutat DonnafugataLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p010.pdftm_2000_/n0064_p0/10.dir2tm_2000_/n0064_p0/18.dirTemps moderns 2000, no. 64, p 018-019Figuera, Antonitm_2000_n0064_p018.pdf0LES CIUTATS IMAGINÀRIES DEL CINEMAtm_2000_n0064_p018.pdf2607779Tots els camins duen a SamarkandaLes ciutats imaginàries del cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p018.pdftm_2000_/n0064_p0/18.dir2tm_2000_/n0059_p0/12.dirTemps moderns 2000, no. 59, p 012-013Romaguera, Josep Carlestm_2000_n0059_p012.pdf0Un any amb Eric Rohmer Apunts atm_2000_n0059_p012.pdf2678677Un any amb Eric Rohmer. "Contes de les quatre estacions"Apunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0059_p012.pdftm_2000_/n0059_p0/12.dir1tm_2000_/n0068_p0/05.dirTemps moderns 2000, no. 68, p 005Sánchez-Cuenca, F. Javiertm_2000_n0068_p005.pdf0(La vErgüEiiza)tm_2000_n0068_p005.pdf903843Unhappy End (La vergüenza)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0068_p005.pdftm_2000_/n0068_p0/05.dir1tm_2000_/n0060_p0/10.dirTemps moderns 2000, no. 60, p 010Serra, Antonitm_2000_n0060_p010.pdf0I Viena: una actriu Hedy Lamarr |tm_2000_n0060_p010.pdf1276857Viena: una actriu Hedy Lamarr<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p010.pdftm_2000_/n0060_p0/10.dir2tm_2000_/n0065_p0/10.dirTemps moderns 2000, no. 65, p 010-011Romaguera, Joan Carlestm_2000_n0065_p010.pdf010tm_2000_n0065_p010.pdf1952712Vint-i-quatre emocions per segonApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p010.pdftm_2000_/n0065_p0/10.dir2tm_2000_/n0062_p0/24.dirTemps moderns 2000, no. 62, p 024-025Fisavitm_2000_n0062_p024.pdf024tm_2000_n0062_p024.pdf2026812Warner Bros<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0062_p024.pdftm_2000_/n0062_p0/24.dir2tm_2000_/n0063_p0/18.dirTemps moderns 2000, no. 63, p 018-019Figuera, Antonitm_2000_n0063_p018.pdf018tm_2000_n0063_p018.pdf2111559We are the people (Recordant John Ford)Els meus clàssics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0063_p018.pdftm_2000_/n0063_p0/18.dir2tm_2000_/n0065_p0/20.dirTemps moderns 2000, no. 65, p 020-021López, Jaumetm_2000_n0065_p020.pdf0i UJilliam Duanes projecta filmar la TO I biografia cinematogràfica de Robert Gravestm_2000_n0065_p020.pdf2149210William Nuanes projecta filmar la biografia cinematogràfica de Robert Graves<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p020.pdftm_2000_/n0065_p0/20.dir1tm_2000_/n0061_p0/20.dirTemps moderns 2000, no. 61, p 020Rotger, Francesc M.tm_2000_n0061_p020.pdf0L'escenaritm_2000_n0061_p020.pdf1234827Xesc i el cinemaL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0061_p020.pdftm_2000_/n0061_p0/20.dir2000200120022003200420052006200720082009<br/><br/>
<p><em><strong>Temps Moderns. Papers de Cinema</strong></em></p> <p><em>Temps Moderns. Papers de Cinema</em> és una revista de divulgació per a cinèfils, editada pel Centre de Cultura Sa Nostra i dirigida, des de desembre de 1994, per Jaume Vidal Amengual. En una primera època presentava el subtítol <em>Fulls de Cinema</em>, que deixà d’aparèixer, i no serà fins al número 30, de 1997, que hi apareixerà el subtítol <em>Papers de Cinema</em>.</p> <p>Des del seu inici se n’han publicat 158 números, en els quals han col·laborat una cinquantena de firmes del món del periodisme, la història i les arts escèniques de les illes Balears. </p> <p>El nom de la publicació <em>Temps Moderns</em> vol ser l'homenatge a un mestratge, el reconeixement a una gran obra realitzada l'any 1936, i sobretot, a la figura del seu autor. «Temps moderns foren aquells per a Chaplin i temps moderns són aquests per a tots nosaltres en una demostració que el cinema no mor», deia l’editorial del número u, de març de 1994.</p> <p><strong>Fitxa tècnica</strong></p> <p>Editor: Centre de Cultura «Sa Nostra», Caixa de Balears<br> Director: Jaume Vidal Amengual<br> Periodicitat: mensual, setmanal<br> Llengua: català<br> Primer número: 1994<br> Darrer número (núm. 158): 2009logo_home.jpglogo_collection.jpgTemps Moderns. Papers de CinemaTitolsAutorResumText completParaula clauAny de publicacióMatèria en cataláMatèria en anglèstextTitleSourcedocumentdc.CreatorText completAny de publicació{"name":"dc.Title","label":"Title","tooltip":"dc.Title: A name given to the resource.","type":"text"}, {"name":"dc.Creator","label":"Creator","tooltip":"dc.Creator: An entity primarily responsible for making the content of the resource.","type":"text"}, {"name":"dc.Description","label":"Description","tooltip":"dc.Description: An account of the content of the resource.","type":"text"}documentTítolMatèria en catalàMatèria en anglèsAutorCerca de textCercarServei de cerca de text complet i/o cerca de metadadesCoincidència ambOrdenar resultats de cerca perOrdre inversÍndex de cercaNombre de resultats per pàginaCadena de cercaFormulari de cercaCercaCamp de cerca senzillCoincidència ambOrdenar resultats de cerca perOrdre inversNombre de resultats per pàginaParaula o fraseal campAdvanced SearchCercaAdvanced fielded searchingOrdenar resultats de cerca perOrdre inversParaula o fraseal campNombre de resultats per pàginaExaminaBrowse pre-defined classification hierarchiestítolBrowse by TítolAutorBrowse by CreadorMatèriaBrowse by Catalan_subjectAnyBrowse by Datavolums completsBrowse by Títoleduard.delvalle@uib.estrue2692lucenetempsModernsgdbm16936230971693562361/greenstone/sites/localsite/collect/tempsModernsuntidy