1994199519961tm_1997_/n0031_p0/08.dirTemps moderns 1997, no. 31, p 008Ortega, Elenatm_1997_n0031_p008.pdf0í j ) I "Ernest Laman un escriptor totterrenftm_1997_n0031_p008.pdf1359922"Ernest Lehman un escriptor totterreny"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p008.pdftm_1997_/n0031_p0/08.dir1tm_1997_/n0030_p0/18.dirTemps moderns 1997, no. 30, p 018Klynhout, Claudiotm_1997_n0030_p018.pdf0CRtm_1997_n0030_p018.pdf1286050"Jack" F. Coppola.Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p018.pdftm_1997_/n0030_p0/18.dir1tm_1997_/n0036_p0.dirTemps moderns 1997, no. 36, p 002Consell Editorialtm_1997_n0036_p002.pdf0Editorialtm_1997_n0036_p002.pdf1045306A M.P. en el recordEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p002.pdftm_1997_/n0036_p0.dir1tm_1997_/n0036_p0/03.dirTemps moderns 1997, no. 36, p 003Roca, Tonitm_1997_n0036_p003.pdf0f u ¿ ) I H Dcean Park amb Lauren Bacal |tm_1997_n0036_p003.pdf1297616A Ocean Park amb Lauren Bacall<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p003.pdftm_1997_/n0036_p0/03.dir1tm_1997_/n0034_p0/11.dirTemps moderns 1997, no. 34, p 011Jordà, Eduardotm_1997_n0034_p011.pdf0á j ) I Hbecedari de Fortunio Bonanova (2)tm_1997_n0034_p011.pdf1212067Abecedari de Fortunio Bonanova (2)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p011.pdftm_1997_/n0034_p0/11.dir1tm_1997_/n0035_p0/13.dirTemps moderns 1997, no. 35, p 013Jordà, Eduardotm_1997_n0035_p013.pdf0I Iecedari de Fortunio Bonanova (¡3) |tm_1997_n0035_p013.pdf1191539Abecedari de Fortunio Bonanova (¡3)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p013.pdftm_1997_/n0035_p0/13.dir1tm_1997_/n0032_p0/14.dirTemps moderns 1997, no. 32, p 014Jordà, Eduardotm_1997_n0032_p014.pdf0I Abecedari Fortunio Bonanova.(l) |tm_1997_n0032_p014.pdf1093089Abecedari Fortunio Bonanova (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p014.pdftm_1997_/n0032_p0/14.dir1tm_1997_/n0031_p0/05.dirTemps moderns 1997, no. 31, p 005Eluordi, Joantm_1997_n0031_p005.pdf0Abocats al futurtm_1997_n0031_p005.pdf1240862Abocats al futurCicle de cinema temàtic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p005.pdftm_1997_/n0031_p0/05.dir1tm_1997_/n0035_p0.dirTemps moderns 1997, no. 35, p 002Consell Editorialtm_1997_n0035_p002.pdf0Editorialtm_1997_n0035_p002.pdf937768Achtung BitteEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p002.pdftm_1997_/n0035_p0.dir1tm_1997_/n0035_p0/03.dirTemps moderns 1997, no. 35, p 003Roca, Tonitm_1997_n0035_p003.pdf0tiltm_1997_n0035_p003.pdf1168564Agost o la tenebra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p003.pdftm_1997_/n0035_p0/03.dir1tm_1997_/n0032_p0/13.dirTemps moderns 1997, no. 32, p 013Roca, Tonitm_1997_n0032_p013.pdf013 Iflleshores.Hunsent Boulevard BilyUlildEr |tm_1997_n0032_p013.pdf1014964Aleshores, Sunsent Boulevard, Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p013.pdftm_1997_/n0032_p0/13.dir1tm_1997_/n0033_p0/04.dirTemps moderns 1997, no. 33, p 004Martín Jiménez, Ignaciotm_1997_n0033_p004.pdf0El mirador deV infinittm_1997_n0033_p004.pdf1386625Amb faldes i... seriosamentEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p004.pdftm_1997_/n0033_p0/04.dir1tm_1997_/n0031_p0.dirTemps moderns 1997, no. 31, p 002Consell Editorialtm_1997_n0031_p002.pdf0Editorialtm_1997_n0031_p002.pdf1134220And the Oscar goes toEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p002.pdftm_1997_/n0031_p0.dir1tm_1997_/n0029_01/2.dirTemps moderns 1997, no. 29, p 012Serra, Antonitm_1997_n0029_012.pdf0CINEMAtm_1997_n0029_012.pdf1458748Andreu Ferret, sentit de llibertatCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_012.pdftm_1997_/n0029_01/2.dir1tm_1997_/n0032_p0/06.dirTemps moderns 1997, no. 32, p 006Garcias, Domènectm_1997_n0032_p006.pdf0M-ÏÏSI5tm_1997_n0032_p006.pdf1182072Anti-tesis<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p006.pdftm_1997_/n0032_p0/06.dir1tm_1997_/n0036_p0/17.dirTemps moderns 1997, no. 36, p 017Serra, Antonitm_1997_n0036_p017.pdf0I £ E & , I MánIMm Simarlhtm_1997_n0036_p017.pdf1034354Antón, Antoni. Simar, RamisMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p017.pdftm_1997_/n0036_p0/17.dir1tm_1997_/n0038_p0/09.dirTemps moderns 1997, no. 38, p 009Cruz, Miqueltm_1997_n0038_p009.pdf0CINEMAtm_1997_n0038_p009.pdf1123956Aproximació al cinema a MallorcaCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p009.pdftm_1997_/n0038_p0/09.dir1tm_1997_.dirTemps moderns 1997, no. 29, p 002Consell Editorialtm_1997_n0029_002.pdf0Editorialtm_1997_n0029_002.pdf1147452Arrivederci MarcelloEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_002.pdftm_1997_.dir1tm_1997_/n0037_p0/07.dirTemps moderns 1997, no. 37, p 007Martín Jiménez, Ignaciotm_1997_n0037_p007.pdf0Assalt i robatori d'un tren:tm_1997_n0037_p007.pdf1231513Assalt i robatori d'un tren: a les cavernes del cineLa finestra de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p007.pdftm_1997_/n0037_p0/07.dir1tm_1997_/n0033_p0/14.dirTemps moderns 1997, no. 33, p 014Serra, Antonitm_1997_n0033_p014.pdf0Billy Ulatson Holmestm_1997_n0033_p014.pdf1322745Billy Watson Holmes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p014.pdftm_1997_/n0033_p0/14.dir1tm_1997_/n0034_p0/19.dirTemps moderns 1997, no. 34, p 019Bover, Joantm_1997_n0034_p019.pdf0eitm_1997_n0034_p019.pdf1199198Capitán Conan de Bertrand TavernierCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p019.pdftm_1997_/n0034_p0/19.dir1tm_1997_/n0034_p0/21.dirTemps moderns 1997, no. 34, p 021Franco, Joseptm_1997_n0034_p021.pdf0CRITICAtm_1997_n0034_p021.pdf1225483Carretera prohibida de David LynchCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p021.pdftm_1997_/n0034_p0/21.dir1tm_1997_/n0036_p0/16.dirTemps moderns 1997, no. 36, p 016Figuera, Antonitm_1997_n0036_p016.pdf0Cine negre i novel·la negratm_1997_n0036_p016.pdf1252778Cine negre i novel·la negra(Crònica d'una convergència anunciada)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p016.pdftm_1997_/n0036_p0/16.dir1tm_1997_/n0034_p0/05.dirTemps moderns 1997, no. 34, p 005Estelrich i Massutí, Peretm_1997_n0034_p005.pdf0Banda sonoratm_1997_n0034_p005.pdf1414076Classical BarbraBanda sonora<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p005.pdftm_1997_/n0034_p0/05.dir1tm_1997_/n0029_00/6.dirTemps moderns 1997, no. 29, p 006Martín Jiménez, Ignaciotm_1997_n0029_006.pdf0El mirador de Vinfinittm_1997_n0029_006.pdf1474618Cocteau: en el llindar de la paraulaEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_006.pdftm_1997_/n0029_00/6.dir1tm_1997_/n0037_p0/23.dirTemps moderns 1997, no. 37, p 023Vidal Amengual, Jaumetm_1997_n0037_p023.pdf023tm_1997_n0037_p023.pdf966527Contracamp<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p023.pdftm_1997_/n0037_p0/23.dir2tm_1997_/n0034_p0/14.dirTemps moderns 1997, no. 34, p 014-015Flores, Xaviertm_1997_n0034_p014.pdf00 | Conversa amb [arles Halagué |tm_1997_n0034_p014.pdf2548423Conversa amb Carles Balagué<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p014.pdftm_1997_/n0034_p0/14.dir2tm_1997_/n0031_p0/10.dirTemps moderns 1997, no. 31, p 010-011Flores, Xaviertm_1997_n0031_p010.pdf0Conversa amb Ireia Ros |tm_1997_n0031_p010.pdf2392801Conversa amb Mireia Ros<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p010.pdftm_1997_/n0031_p0/10.dir1tm_1997_/n0038_p0/21b.dirTemps moderns 1997, no. 38, p 021Romaguera, Josep Carlestm_1997_n0038_p021b.pdf0CRITICAtm_1997_n0038_p021b.pdf973934Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p021b.pdftm_1997_/n0038_p0/21b.dir1tm_1997_/n0038_p0/22b.dirTemps moderns 1997, no. 38, p 022Pérez de Mendiola, J. A.tm_1997_n0038_p022b.pdf0UNA HISTORIA DIFERENTEtm_1997_n0038_p022b.pdf887010Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p022b.pdftm_1997_/n0038_p0/22b.dir1tm_1997_/n0037_p0/21.dirTemps moderns 1997, no. 37, p 021Revesado, Iñakitm_1997_n0037_p021.pdf0EL COLOR DE LAStm_1997_n0037_p021.pdf1149053Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p021.pdftm_1997_/n0037_p0/21.dir1tm_1997_/n0037_p0/22.dirTemps moderns 1997, no. 37, p 022Bover, Joantm_1997_n0037_p022.pdf0CRITICAtm_1997_n0037_p022.pdf1033099Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p022.pdftm_1997_/n0037_p0/22.dir1tm_1997_/n0038_p0/21.dirTemps moderns 1997, no. 38, p 021Revesado, Iñakitm_1997_n0038_p021.pdf0CRITICAtm_1997_n0038_p021.pdf974773Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p021.pdftm_1997_/n0038_p0/21.dir1tm_1997_/n0037_p0/22b.dirTemps moderns 1997, no. 37, p 022Pérez de Mendiola, J. A.tm_1997_n0037_p022b.pdf0CRITICAtm_1997_n0037_p022b.pdf1032271Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p022b.pdftm_1997_/n0037_p0/22b.dir1tm_1997_/n0036_p0/22.dirTemps moderns 1997, no. 36, p 022Bover, Joantm_1997_n0036_p022.pdf022tm_1997_n0036_p022.pdf1013617Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p022.pdftm_1997_/n0036_p0/22.dir1tm_1997_/n0038_p0/22.dirTemps moderns 1997, no. 38, p 022Bover, Joantm_1997_n0038_p022.pdf0UNA HISTORIA DIFERENTEtm_1997_n0038_p022.pdf886948Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p022.pdftm_1997_/n0038_p0/22.dir1tm_1997_/n0037_p0/21b.dirTemps moderns 1997, no. 37, p 021Romaguera, Josep Carlestm_1997_n0037_p021b.pdf0EL COLOR DE LAStm_1997_n0037_p021b.pdf1148212Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p021b.pdftm_1997_/n0037_p0/21b.dir1tm_1997_/n0036_p0/21.dirTemps moderns 1997, no. 36, p 021Romaguera, Josep Carlestm_1997_n0036_p021.pdf0CRITICAtm_1997_n0036_p021.pdf1127631Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p021.pdftm_1997_/n0036_p0/21.dir1tm_1997_/n0034_p0/18.dirTemps moderns 1997, no. 34, p 018Serra, Antonitm_1997_n0034_p018.pdf0Memoria de Cel·luloidetm_1997_n0034_p018.pdf1305088Crítics crònicsMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p018.pdftm_1997_/n0034_p0/18.dir1tm_1997_/n0035_p0/14.dirTemps moderns 1997, no. 35, p 014Riera, Ernesttm_1997_n0035_p014.pdf0I Crònica de la mort del cinema clàssictm_1997_n0035_p014.pdf1190457Crònica de la mort del cinema clàssic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p014.pdftm_1997_/n0035_p0/14.dir1tm_1997_/n0036_p0/14.dirTemps moderns 1997, no. 36, p 014Waldren, Tanatm_1997_n0036_p014.pdf014tm_1997_n0036_p014.pdf1133743Crònica des de Hollywood<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p014.pdftm_1997_/n0036_p0/14.dir1tm_1997_/n0035_p0/15.dirTemps moderns 1997, no. 35, p 015Martorell, Margalidatm_1997_n0035_p015.pdf0til Dave Grusin: un talenttm_1997_n0035_p015.pdf1128960Dave Grusin: un talent<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p015.pdftm_1997_/n0035_p0/15.dir1tm_1997_/n0033_p0/08.dirTemps moderns 1997, no. 33, p 008Mendiola, Josep Antonitm_1997_n0033_p008.pdf0ina relació podien tenir Billytm_1997_n0033_p008.pdf1172527De la immortalitat a l'oblit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p008.pdftm_1997_/n0033_p0/08.dir1tm_1997_/n0037_p0/06.dirTemps moderns 1997, no. 37, p 006Monge, Fernandotm_1997_n0037_p006.pdf0Flash Back Dels pioners de Brigthon a Portertm_1997_n0037_p006.pdf1129101Dels pioners de Brigthon a Porter (els començaments de la narrativa cinematogràfica)Flash Back<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p006.pdftm_1997_/n0037_p0/06.dir1tm_1997_/n0030_p0/04.dirTemps moderns 1997, no. 30, p 004Mendiola, Josep Antonitm_1997_n0030_p004.pdf0ÍJMtm_1997_n0030_p004.pdf1294524Després del Mestre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p004.pdftm_1997_/n0030_p0/04.dir1tm_1997_/n0031_p0/06.dirTemps moderns 1997, no. 31, p 006Houman, Sadamtm_1997_n0031_p006.pdf0ttltm_1997_n0031_p006.pdf1284621Disney<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p006.pdftm_1997_/n0031_p0/06.dir2tm_1997_/n0036_p0/12.dirTemps moderns 1997, no. 36, p 012-013Revesado, Iñakitm_1997_n0036_p012.pdf0I Donostia 97: ID dies de cinema |tm_1997_n0036_p012.pdf2261590Donostia 97: 10 dies de cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p012.pdftm_1997_/n0036_p0/12.dir1tm_1997_/n0032_p0/08.dirTemps moderns 1997, no. 32, p 008Pomar, Jaumetm_1997_n0032_p008.pdf0EIprocés, Orson Mestm_1997_n0032_p008.pdf834999EI procés, d'Orson Welles<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p008.pdftm_1997_/n0032_p0/08.dir1tm_1997_/n0031_p0/19.dirTemps moderns 1997, no. 31, p 019Bover, Joantm_1997_n0031_p019.pdf0CRITICAtm_1997_n0031_p019.pdf1171707El agente secreto, de Cristopher HamptonCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p019.pdftm_1997_/n0031_p0/19.dir1tm_1997_/n0031_p0/16.dirTemps moderns 1997, no. 31, p 016Klynhout, Claudiotm_1997_n0031_p016.pdf0CRITICAtm_1997_n0031_p016.pdf1308468El amor perjudica seriamente la salud, de Manuel Gómez PereiraCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p016.pdftm_1997_/n0031_p0/16.dir1tm_1997_/n0036_p0/08.dirTemps moderns 1997, no. 36, p 008Jordà, Eduardotm_1997_n0036_p008.pdf0Elfaigotde Draculatm_1997_n0036_p008.pdf1398252El bigot de Dràcula<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p008.pdftm_1997_/n0036_p0/08.dir1tm_1997_/n0037_p0/16.dirTemps moderns 1997, no. 37, p 016Jordà, Eduardotm_1997_n0037_p016.pdf0ESPECIALtm_1997_n0037_p016.pdf1189098El cine a cavallEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p016.pdftm_1997_/n0037_p0/16.dir1tm_1997_/n0032_p0/07.dirTemps moderns 1997, no. 32, p 007Vallés, Matíastm_1997_n0032_p007.pdf0El cine da'ctor i la psicofisonomia |tm_1997_n0032_p007.pdf998921El cine d'actor i la psicofisonomia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p007.pdftm_1997_/n0032_p0/07.dir1tm_1997_/n0029_01/9.dirTemps moderns 1997, no. 29, p 019López Crespí, Miqueltm_1997_n0029_019.pdf019tm_1997_n0029_019.pdf1328797El cine dels anys cinquanta i seixanta (III)La nostra universitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_019.pdftm_1997_/n0029_01/9.dir2tm_1997_/n0032_p0/04.dirTemps moderns 1997, no. 32, p 004López Crespí, Miqueltm_1997_n0032_p004.pdf0El cine dels anys cinquan La nostratm_1997_n0032_p004.pdf2134678El cine dels anys cinquanta i seixanta (IV)La nostra universitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p004.pdftm_1997_/n0032_p0/04.dir1tm_1997_/n0035_p0/12.dirTemps moderns 1997, no. 35, p 012Figuera, Antonitm_1997_n0035_p012.pdf0[/) I El cine: un art de la mirada |tm_1997_n0035_p012.pdf1331529El cine: un art de la mirada<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p012.pdftm_1997_/n0035_p0/12.dir1tm_1997_/n0034_p0/17.dirTemps moderns 1997, no. 34, p 017Desola, Davidtm_1997_n0034_p017.pdf0El cinema dins el cinematm_1997_n0034_p017.pdf1469240El cinema dins el cinema1a Part: Els rodatges introspectius<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p017.pdftm_1997_/n0034_p0/17.dir1tm_1997_/n0035_p0/04.dirTemps moderns 1997, no. 35, p 004Desola, Davidtm_1997_n0035_p004.pdf0El cinema dins el cinematm_1997_n0035_p004.pdf1336514El cinema dins el cinema2 Part: La Quimera cinematogràfica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p004.pdftm_1997_/n0035_p0/04.dir1tm_1997_/n0031_p0/09.dirTemps moderns 1997, no. 31, p 009Planas Sanmartí, Joseptm_1997_n0031_p009.pdf0# I El Cinema, historia du'na passió (1)tm_1997_n0031_p009.pdf1267452El Cinema, historia d'una passió (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p009.pdftm_1997_/n0031_p0/09.dir1tm_1997_/n0029_00/7.dirTemps moderns 1997, no. 29, p 007Sánchez-Cuenca, F. Javiertm_1997_n0029_007.pdf0Aventurers El darrer any negre du'ntm_1997_n0029_007.pdf1385075El darrer any negre d'un alumne aplicatAventurers a la força<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_007.pdftm_1997_/n0029_00/7.dir1tm_1997_/n0029_01/1.dirTemps moderns 1997, no. 29, p 011Oliver, Antonitm_1997_n0029_011.pdf0CINEMAtm_1997_n0029_011.pdf1456429El documentalCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_011.pdftm_1997_/n0029_01/1.dir1tm_1997_/n0029_01/3.dirTemps moderns 1997, no. 29, p 013Romaguera, Joan Carlestm_1997_n0029_013.pdf013tm_1997_n0029_013.pdf1374713El geperut de Notre Dame. (The hundback of Notre Dame) de Walt Disney Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_013.pdftm_1997_/n0029_01/3.dir1tm_1997_/n0034_p0/06.dirTemps moderns 1997, no. 34, p 006Oliver, Antonitm_1997_n0034_p006.pdf0fá\\ El gran reportatge al cinema |tm_1997_n0034_p006.pdf1447162El gran reportatge al cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p006.pdftm_1997_/n0034_p0/06.dir1tm_1997_/n0030_p0/17.dirTemps moderns 1997, no. 30, p 017Bover, Joantm_1997_n0030_p017.pdf0CRITICAtm_1997_n0030_p017.pdf1283566El joc de la triaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p017.pdftm_1997_/n0030_p0/17.dir1tm_1997_/n0032_p0/15.dirTemps moderns 1997, no. 32, p 015Gomila, Peretm_1997_n0032_p015.pdf0El mirall deformanttm_1997_n0032_p015.pdf929508El mirall deformant. L'homosexualitat masculina al cine<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p015.pdftm_1997_/n0032_p0/15.dir1tm_1997_/n0032_p0/16.dirTemps moderns 1997, no. 32, p 016Flores, Xaviertm_1997_n0032_p016.pdf016tm_1997_n0032_p016.pdf1150479El paciente inglés, d'Anthony MinghellaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p016.pdftm_1997_/n0032_p0/16.dir1tm_1997_/n0031_p0/17.dirTemps moderns 1997, no. 31, p 017Romaguera, Joan Carlestm_1997_n0031_p017.pdf0CRtm_1997_n0031_p017.pdf1247981El perro del hortelano, de Pilar MiróCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p017.pdftm_1997_/n0031_p0/17.dir1tm_1997_/n0032_p0/18.dirTemps moderns 1997, no. 32, p 018Revesado, Iñakitm_1997_n0032_p018.pdf018 El petit escàndol de Larry Flpttm_1997_n0032_p018.pdf1174353El petit escàndol de Larry, de Milos FormanCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p018.pdftm_1997_/n0032_p0/18.dir1tm_1997_/n0038_p0/19b.dirTemps moderns 1997, no. 38, p 019Martorell, Margalidatm_1997_n0038_p019b.pdf0ful L'escenari de llaunatm_1997_n0038_p019b.pdf1144742El que les paraules no poden expressar<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p019b.pdftm_1997_/n0038_p0/19b.dir1tm_1997_/n0035_p0/06.dirTemps moderns 1997, no. 35, p 006-007Martí, Jorgetm_1997_n0035_p006.pdf0I El realisme poètic de Marcel Carné |tm_1997_n0035_p006.pdf2483603El realisme poètic de Marcel Carné<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p006.pdftm_1997_/n0035_p0/06.dir1tm_1997_/n0031_p0/18.dirTemps moderns 1997, no. 31, p 018Revesado, Iñakitm_1997_n0031_p018.pdf0CRITICAtm_1997_n0031_p018.pdf1336116El secret de John SaylesCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p018.pdftm_1997_/n0031_p0/18.dir1tm_1997_/n0037_p0/10.dirTemps moderns 1997, no. 37, p 010Aguiló, Catalinatm_1997_n0037_p010.pdf010 Cinema a les Ules Els Engimes dels primers lücals (1)tm_1997_n0037_p010.pdf1288964Els Enigmes dels primers localsCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p010.pdftm_1997_/n0037_p0/10.dir1tm_1997_/n0036_p0/05.dirTemps moderns 1997, no. 36, p 005Riera, Ernesttm_1997_n0036_p005.pdf0LHome que va matar álílajor Strassertm_1997_n0036_p005.pdf2779048Els Extres<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p005.pdftm_1997_/n0036_p0/05.dir1tm_1997_/n0031_p0/07.dirTemps moderns 1997, no. 31, p 007Matesanz, Javiertm_1997_n0031_p007.pdf0fj> I Els Coya.el públic i la crítica |tm_1997_n0031_p007.pdf1192225Els Goya, el públic i la crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p007.pdftm_1997_/n0031_p0/07.dir1tm_1997_/n0033_p0/09.dirTemps moderns 1997, no. 33, p 009Estelrich i Massutí, Peretm_1997_n0033_p009.pdf0B\\ Els músics detm_1997_n0033_p009.pdf1146532Els músics de Billy Wider<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p009.pdftm_1997_/n0033_p0/09.dir1tm_1997_/n0031_p0/12.dirTemps moderns 1997, no. 31, p 012Oliver, Antonitm_1997_n0031_p012.pdf0Els periodistes grocs-tm_1997_n0031_p012.pdf1387096Els periodistes grocs: les versions de "The Front page"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p012.pdftm_1997_/n0031_p0/12.dir1tm_1997_/n0035_p0/17.dirTemps moderns 1997, no. 35, p 017-018Rosselló, Josep J.tm_1997_n0035_p017.pdf0I Els vels couí-hoys mai no moren 0 sí.tm_1997_n0035_p017.pdf1104181Els vells cow-boys mai no moren. O sí<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p017.pdftm_1997_/n0035_p0/17.dir1tm_1997_/n0036_p0/11.dirTemps moderns 1997, no. 36, p 011Cruz, Miqueltm_1997_n0036_p011.pdf011tm_1997_n0036_p011.pdf1094075Entrevista a Nofre Moyà<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p011.pdftm_1997_/n0036_p0/11.dir1tm_1997_/n0038_p0/08.dirTemps moderns 1997, no. 38, p 008Gallego, RafaelCruz, Miqueltm_1997_n0038_p008.pdf0CINEMAtm_1997_n0038_p008.pdf1093268Entrevista a Vicenç MatasCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p008.pdftm_1997_/n0038_p0/08.dir1tm_1997_/n0035_p0/10.dirTemps moderns 1997, no. 35, p 010-011Flores, Xaviertm_1997_n0035_p010.pdf010 Entrevista amb Lluís Casasayastm_1997_n0035_p010.pdf2309326Entrevista amb Lluís Casasayas<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p010.pdftm_1997_/n0035_p0/10.dir1tm_1997_/n0033_p0/05.dirTemps moderns 1997, no. 33, p 005Ortega, Elenatm_1997_n0033_p005.pdf0^íj I "És perfecta. Ara farem que sigui encaratm_1997_n0033_p005.pdf1130116És perfecta. Ara farem que sigui encara millor<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p005.pdftm_1997_/n0033_p0/05.dir1tm_1997_/n0037_p0/14.dirTemps moderns 1997, no. 37, p 014Sánchez-Cuenca, F. Javiertm_1997_n0037_p014.pdf0ESPECIALtm_1997_n0037_p014.pdf1149350Faulkner al SantuariEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p014.pdftm_1997_/n0037_p0/14.dir1tm_1997_/n0037_p0/17.dirTemps moderns 1997, no. 37, p 017Serra, Antonitm_1997_n0037_p017.pdf0ESPECIALtm_1997_n0037_p017.pdf1211218Faulkner, o el final dels escriptors rebelsEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p017.pdftm_1997_/n0037_p0/17.dir4tm_1997_/n0033_p0/24.dirTemps moderns 1997, no. 33, p 024-027Consell Editorialtm_1997_n0033_p024.pdf0Filmografiatm_1997_n0033_p024.pdf5766041Filmografia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p024.pdftm_1997_/n0033_p0/24.dir2tm_1997_/n0037_p0/18.dirTemps moderns 1997, no. 37, p 018-019Consell Editorialtm_1997_n0037_p018.pdf0ESPECIALtm_1997_n0037_p018.pdf2696738Filmografia de FaulknerEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p018.pdftm_1997_/n0037_p0/18.dir1tm_1997_/n0030_p0/10.dirTemps moderns 1997, no. 30, p 010Martín Jiménez, Ignaciotm_1997_n0030_p010.pdf0LEStm_1997_n0030_p010.pdf1518962FreaksEl mirador de l'infinitLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p010.pdftm_1997_/n0030_p0/10.dir1tm_1997_/n0032_p0/03.dirTemps moderns 1997, no. 32, p 003Consell Editorialtm_1997_n0032_p003.pdf0Fred Zinnemanntm_1997_n0032_p003.pdf935056Fred Zinneman<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p003.pdftm_1997_/n0032_p0/03.dir1tm_1997_/n0038_p0/12.dirTemps moderns 1997, no. 38, p 012Serra, Antonitm_1997_n0038_p012.pdf0SAMUELtm_1997_n0038_p012.pdf1239864Fuller, o la follia com a mètode expressiuSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p012.pdftm_1997_/n0038_p0/12.dir1tm_1997_/n0036_p0/07.dirTemps moderns 1997, no. 36, p 007Martín Jiménez, Ignaciotm_1997_n0036_p007.pdf0La finestra de Vinfinittm_1997_n0036_p007.pdf1239317G. Méliès: la transgressió imaginària.La finestra de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p007.pdftm_1997_/n0036_p0/07.dir1tm_1997_/n0036_p0/06.dirTemps moderns 1997, no. 36, p 006Monge, Fernandotm_1997_n0036_p006.pdf0Flash Backtm_1997_n0036_p006.pdf1403922Georges Méliès: el cine com a fantasia (1860-1938)Flash Back<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p006.pdftm_1997_/n0036_p0/06.dir1tm_1997_/n0032_p0/09.dirTemps moderns 1997, no. 32, p 009Franco, Joseptm_1997_n0032_p009.pdf0Generes cinematogràficstm_1997_n0032_p009.pdf1145003HistòricEls gèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p009.pdftm_1997_/n0032_p0/09.dir1tm_1997_/n0034_p0/09.dirTemps moderns 1997, no. 34, p 009Matesanz, Javiertm_1997_n0034_p009.pdf0ttl Monòlegstm_1997_n0034_p009.pdf1282371Històries d'absolutMonòlegs<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p009.pdftm_1997_/n0034_p0/09.dir1tm_1997_/n0037_p0/12.dirTemps moderns 1997, no. 37, p 012-013Figuera, Antonitm_1997_n0037_p012.pdf0I Mlpood i la Generació Perduda1 Mtm_1997_n0037_p012.pdf2536113Hollywood i la Generació Perduda: algunes puntualitzacions sobre Faulkner i el cineEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p012.pdftm_1997_/n0037_p0/12.dir1tm_1997_/n0033_p0/12.dirTemps moderns 1997, no. 33, p 012Romaguera, Josep Carlestm_1997_n0033_p012.pdf0mtm_1997_n0033_p012.pdf1331998Irma la dulce(Irma, la dulce) de Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p012.pdftm_1997_/n0033_p0/12.dir1tm_1997_/n0033_p0.dirTemps moderns 1997, no. 33, p 002Consell Editorialtm_1997_n0033_p002.pdf0Editorialtm_1997_n0033_p002.pdf1251053Kees me, stupidEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p002.pdftm_1997_/n0033_p0.dir1tm_1997_/n0038_p0/10.dirTemps moderns 1997, no. 38, p 010Sbert i Barceló, Miqueltm_1997_n0038_p010.pdf0CINEMAtm_1997_n0038_p010.pdf1145892L'arribada del sonor a Mallorca (I)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p010.pdftm_1997_/n0038_p0/10.dir1tm_1997_/n0031_p0/04.dirTemps moderns 1997, no. 31, p 004Estelrich i Massutí, Peretm_1997_n0031_p004.pdf0ttl Lh'ome del violonceltm_1997_n0031_p004.pdf1198746L'home del violoncell<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p004.pdftm_1997_/n0031_p0/04.dir1tm_1997_/n0036_p0/04.dirTemps moderns 1997, no. 36, p 004-005Desola, Davidtm_1997_n0036_p004.pdf0LHome que va matar álílajor Strassertm_1997_n0036_p004.pdf2779097L'Home que va matar el Major Strasser<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p004.pdftm_1997_/n0036_p0/04.dir1tm_1997_/n0030_p0/11.dirTemps moderns 1997, no. 30, p 011Jordà, Eduardotm_1997_n0030_p011.pdf0LEStm_1997_n0030_p011.pdf1365878L'inimaginableLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p011.pdftm_1997_/n0030_p0/11.dir1tm_1997_/n0030_p0/16.dirTemps moderns 1997, no. 30, p 016Revesado, Iñakitm_1997_n0030_p016.pdf0CRtm_1997_n0030_p016.pdf1300029La buena vidaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p016.pdftm_1997_/n0030_p0/16.dir1tm_1997_/n0033_p0/07.dirTemps moderns 1997, no. 33, p 007Franco, Joseptm_1997_n0033_p007.pdf0La Comèdia de Billytm_1997_n0033_p007.pdf1226206La Comèdia de Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p007.pdftm_1997_/n0033_p0/07.dir1tm_1997_/n0034_p0/04.dirTemps moderns 1997, no. 34, p 004Martín Jiménez, Ignaciotm_1997_n0034_p004.pdf0El mirador de Vinfinittm_1997_n0034_p004.pdf1310721La comèdia i la relació sexualEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p004.pdftm_1997_/n0034_p0/04.dir1tm_1997_/n0030_p0/11b.dirTemps moderns 1997, no. 30, p 011Salom, Jeronitm_1997_n0030_p011b.pdf0LEStm_1997_n0030_p011b.pdf1365892La crida de l'infernLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p011b.pdftm_1997_/n0030_p0/11b.dir1tm_1997_/n0030_p0/03.dirTemps moderns 1997, no. 30, p 003Serra, Antonitm_1997_n0030_p003.pdf0La disbauxa ül Verdug Memoriatm_1997_n0030_p003.pdf1335326La disbauxa d'El Verdugo (III)Memòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p003.pdftm_1997_/n0030_p0/03.dir1tm_1997_/n0029_01/7.dirTemps moderns 1997, no. 29, p 017Estelrich i Massutí, Peretm_1997_n0029_017.pdf0til Banda sonoratm_1997_n0029_017.pdf1324112La folliaBanda sonora<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_017.pdftm_1997_/n0029_01/7.dir1tm_1997_/n0038_p0/23.dirTemps moderns 1997, no. 38, p 023López Crespí, Miqueltm_1997_n0038_p023.pdf023 La influència del cinema enProgramaciótm_1997_n0038_p023.pdf1106174La influència del cinema en 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34, p 016Genovart, Gabrieltm_1997_n0034_p016.pdf0e i La realitat i lestm_1997_n0034_p016.pdf1260250La realitat i les ombres<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p016.pdftm_1997_/n0034_p0/16.dir1tm_1997_/n0033_p0/16.dirTemps moderns 1997, no. 33, p 016Merino, Fernandotm_1997_n0033_p016.pdf0I La tragedia de Leo fasa versus l'espectacle de Diarles Tatatm_1997_n0033_p016.pdf1383043La tragedia de Leo Minosa versus l'espectacle de Charles Tatum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p016.pdftm_1997_/n0033_p0/16.dir1tm_1997_/n0032_p0.dirTemps moderns 1997, no. 32, p 002Consell Editorialtm_1997_n0032_p002.pdf0LAMERICAtm_1997_n0032_p002.pdf679690LamericaEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p002.pdftm_1997_/n0032_p0.dir1tm_1997_/n0031_p0/03.dirTemps moderns 1997, no. 31, p 003Serra, Antonitm_1997_n0031_p003.pdf0I I JSSSUtm_1997_n0031_p003.pdf1184782Les belles passantesMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p003.pdftm_1997_/n0031_p0/03.dir1tm_1997_/n0038_p0/11.dirTemps moderns 1997, no. 38, p 011Salvà Lara, Jaumetm_1997_n0038_p011.pdf0CINEMAtm_1997_n0038_p011.pdf1185305Les mentides d'una gàbia de vidre. Per un cinema imperfecte (i III)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p011.pdftm_1997_/n0038_p0/11.dir1tm_1997_/n0036_p0/19.dirTemps moderns 1997, no. 36, p 019Oliver, Antonitm_1997_n0036_p019.pdf019 Les pe·ílcuels sobre fotògrafs i reporters de teelvtm_1997_n0036_p019.pdf1260619Les pel·lícules sobre fotògrafs i reporters de televisió<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p019.pdftm_1997_/n0036_p0/19.dir1tm_1997_/n0030_p0/07.dirTemps moderns 1997, no. 30, p 007Cuadrado Fernández, Perfectotm_1997_n0030_p007.pdf0LEStm_1997_n0030_p007.pdf1337914Literatura i cine de terrorLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p007.pdftm_1997_/n0030_p0/07.dir1tm_1997_/n0029_01.dirTemps moderns 1997, no. 29, p 010Figuera, Antonitm_1997_n0029_010.pdf0CINEMAtm_1997_n0029_010.pdf1505702Los chicos de la premsa. A l'entorn del llibre de Juan Carlos LavianaCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_010.pdftm_1997_/n0029_01.dir1tm_1997_/n0034_p0/07.dirTemps moderns 1997, no. 34, p 007Roca, Tonitm_1997_n0034_p007.pdf0e i Ion in the ññernoon o una mort de Earu Granttm_1997_n0034_p007.pdf1277917Love in the afternoon o una mort de Gary Grant<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p007.pdftm_1997_/n0034_p0/07.dir1tm_1997_/n0034_p0/22.dirTemps moderns 1997, no. 34, p 022Martorell, Margalidatm_1997_n0034_p022.pdf022 ïlark Isham: versatilitat i sensibilitattm_1997_n0034_p022.pdf1367574Mark Isham: versatilitat i sensibilitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p022.pdftm_1997_/n0034_p0/22.dir1tm_1997_/n0032_p0/17b.dirTemps moderns 1997, no. 32, p 017Barrera, Claudiotm_1997_n0032_p017b.pdf017tm_1997_n0032_p017b.pdf1002232Mars Attacks!, de Tim BurtonCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p017b.pdftm_1997_/n0032_p0/17b.dir1tm_1997_/n0029_01/6.dirTemps moderns 1997, no. 29, p 016Klynhout, Claudiotm_1997_n0029_016.pdf0CRÍTICAtm_1997_n0029_016.pdf1414154Más allá del jardín, dones de GalaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_016.pdftm_1997_/n0029_01/6.dir1tm_1997_/n0032_p0/18b.dirTemps moderns 1997, no. 32, p 018Obrador, Joantm_1997_n0032_p018b.pdf018 El petit escàndol de Larry Flpttm_1997_n0032_p018b.pdf1174325Michael Collins, de Neil JordanCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p018b.pdftm_1997_/n0032_p0/18b.dir1tm_1997_/n0029_01/7b.dirTemps moderns 1997, no. 29, p 017Matesanz, Javiertm_1997_n0029_017b.pdf0til Banda sonoratm_1997_n0029_017b.pdf1324109Michael Nyman cineasta de pentagrama<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_017b.pdftm_1997_/n0029_01/7b.dir1tm_1997_/n0030_p0/06.dirTemps moderns 1997, no. 30, p 006Figuera, Antonitm_1997_n0030_p006.pdf0LEStm_1997_n0030_p006.pdf1515887Mitologia del terror. Per una poètica del gènereLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p006.pdftm_1997_/n0030_p0/06.dir1tm_1997_/n0032_p0/05.dirTemps moderns 1997, no. 32, p 005Mendiola, Josep Antonitm_1997_n0032_p005.pdf0einantatm_1997_n0032_p005.pdf984499Moltes bones pel·lícules i poques de necessàries<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p005.pdftm_1997_/n0032_p0/05.dir1tm_1997_/n0030_p0/13.dirTemps moderns 1997, no. 30, p 013Romaguera, Josep Carlestm_1997_n0030_p013.pdf0LEStm_1997_n0030_p013.pdf1239961Muñecos Infernales de Tod BrowingLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p013.pdftm_1997_/n0030_p0/13.dir1tm_1997_/n0034_p0/03.dirTemps moderns 1997, no. 34, p 003Franco, Joseptm_1997_n0034_p003.pdf0ttltm_1997_n0034_p003.pdf1415707MusicalGèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p003.pdftm_1997_/n0034_p0/03.dir1tm_1997_/n0029_01/8.dirTemps moderns 1997, no. 29, p 018Rotger, Francesc M.tm_1997_n0029_018.pdf0l Maride | nauna ]([] ]g tQQUÍS JílÉS, 53171 |tm_1997_n0029_018.pdf1151210No la toquis més, SamL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_018.pdftm_1997_/n0029_01/8.dir1tm_1997_/n0031_p0/15b.dirTemps moderns 1997, no. 31, p 015Matesanz, Javiertm_1997_n0031_p015b.pdf0CRITICAtm_1997_n0031_p015b.pdf1219643Otelo, d'Orson WellesCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p015b.pdftm_1997_/n0031_p0/15b.dir1tm_1997_/n0036_p0/15.dirTemps moderns 1997, no. 36, p 015Ortega, Elenatm_1997_n0036_p015.pdf0Guionistestm_1997_n0036_p015.pdf1147390Paddy ChayefskyGuionistes a Hollywood<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p015.pdftm_1997_/n0036_p0/15.dir2tm_1997_/n0032_p0/10.dirTemps moderns 1997, no. 32, p 010-011Figuera, Antonitm_1997_n0032_p010.pdf0§] Parlant de cine amh mi matem (I)tm_1997_n0032_p010.pdf1942807Parlant de cine amb mi mateix (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p010.pdftm_1997_/n0032_p0/10.dir1tm_1997_/n0035_p0/05.dirTemps moderns 1997, no. 35, p 005Salvà Lara, Jaumetm_1997_n0035_p005.pdf0Per un cinema imperfecte (i) Les mentides d'una gàbia de cristalltm_1997_n0035_p005.pdf1044247Per un cinema imperfecte (I)Les mentides d'una gàbia de cristall<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p005.pdftm_1997_/n0035_p0/05.dir1tm_1997_/n0036_p0/10.dirTemps moderns 1997, no. 36, p 010Salvà Lara, Jaumetm_1997_n0036_p010.pdf0Per un cinema imperfecte (li) Les mentides d'unatm_1997_n0036_p010.pdf1222612Per un cinema imperfecte (II)Les mentides d'una gàbia de vidre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p010.pdftm_1997_/n0036_p0/10.dir1tm_1997_/n0032_p0/12.dirTemps moderns 1997, no. 32, p 012Martín Jiménez, Ignaciotm_1997_n0032_p012.pdf0El miradortm_1997_n0032_p012.pdf1177695Persona: màscara: Plácido de García Berlanga.El mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p012.pdftm_1997_/n0032_p0/12.dir1tm_1997_/n0030_p0/12.dirTemps moderns 1997, no. 30, p 012Genovart, Gabrieltm_1997_n0030_p012.pdf0LEStm_1997_n0030_p012.pdf1447490Planetes prohibitsLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p012.pdftm_1997_/n0030_p0/12.dir1tm_1997_/n0030_p0.dirTemps moderns 1997, no. 30, p 002Consell Editorialtm_1997_n0030_p002.pdf0Editorialtm_1997_n0030_p002.pdf965542Por: llengua i societatEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p002.pdftm_1997_/n0030_p0.dir1tm_1997_/n0032_p0/19.dirTemps moderns 1997, no. 32, p 019Consell Editorialtm_1997_n0032_p019.pdf0» I Programació cinema mes íW\\ \tm_1997_n0032_p019.pdf723750Programació cine Centre de Cultura "Sa Nostra" mes de Abril<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p019.pdftm_1997_/n0032_p0/19.dir1tm_1997_/n0030_p0/19.dirTemps moderns 1997, no. 30, p 019Consell Editorialtm_1997_n0030_p019.pdf0Programació cinetm_1997_n0030_p019.pdf1155659Programació cine Centre de Cultura "Sa Nostra", febrer i març<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p019.pdftm_1997_/n0030_p0/19.dir1tm_1997_/n0034_p0/23.dirTemps moderns 1997, no. 34, p 023Consell Editorialtm_1997_n0034_p023.pdf0I Programació cinema al Centre de Cultura "SA NOSTRA'tm_1997_n0034_p023.pdf1155363Programació cinema Centre de Cultura "Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p023.pdftm_1997_/n0034_p0/23.dir1tm_1997_/n0033_p0/23.dirTemps moderns 1997, no. 33, p 023Consell Editorialtm_1997_n0033_p023.pdf0Programació cinema al Centre de Cultura S A N O S T R Atm_1997_n0033_p023.pdf1027107Programació cinema Centre de Cultura "Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p023.pdftm_1997_/n0033_p0/23.dir1tm_1997_/n0035_p0/19.dirTemps moderns 1997, no. 35, p 019Consell Editorialtm_1997_n0035_p019.pdf0(ïfj I Programació cinema al [entre de Cultura "5a Ilustra"tm_1997_n0035_p019.pdf976156Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p019.pdftm_1997_/n0035_p0/19.dir1tm_1997_/n0036_p0/23.dirTemps moderns 1997, no. 36, p 023Consell Editorialtm_1997_n0036_p023.pdf023tm_1997_n0036_p023.pdf887239Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p023.pdftm_1997_/n0036_p0/23.dir1tm_1997_/n0037_p0/23b.dirTemps moderns 1997, no. 37, p 023Consell Editorialtm_1997_n0037_p023b.pdf023tm_1997_n0037_p023b.pdf966409Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p023b.pdftm_1997_/n0037_p0/23b.dir1tm_1997_/n0035_p0/08.dirTemps moderns 1997, no. 35, p 008Barrera, Claudiotm_1997_n0035_p008.pdf0,.jpÇf '^>vtm_1997_n0035_p008.pdf1174550Publicine<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p008.pdftm_1997_/n0035_p0/08.dir1tm_1997_/n0034_p0/10.dirTemps moderns 1997, no. 34, p 010Matesanz, Javiertm_1997_n0034_p010.pdf0Quentin l'omnipresenttm_1997_n0034_p010.pdf1377586Quentin l'omnipresent<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p010.pdftm_1997_/n0034_p0/10.dir1tm_1997_/n0033_p0/10.dirTemps moderns 1997, no. 33, p 010Sánchez-Cuenca, F. Javiertm_1997_n0033_p010.pdf0Aventurers a la forçatm_1997_n0033_p010.pdf1262009Qui no li compraria un cotxe de segona?Aventurers a la força<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p010.pdftm_1997_/n0033_p0/10.dir1tm_1997_/n0031_p0/15.dirTemps moderns 1997, no. 31, p 015Obrador, Joantm_1997_n0031_p015.pdf0CRITICAtm_1997_n0031_p015.pdf1219872Retrato de una Dama o 'The piano' segona partCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p015.pdftm_1997_/n0031_p0/15.dir1tm_1997_/n0030_p0/13b.dirTemps moderns 1997, no. 30, p 013Tous, Ramontm_1997_n0030_p013b.pdf0LEStm_1997_n0030_p013b.pdf1240155Rocky horror, mon amour de Broadway al recreatiuLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p013b.pdftm_1997_/n0030_p0/13b.dir1tm_1997_/n0032_p0/14b.dirTemps moderns 1997, no. 32, p 014Rotger, Francesc M.tm_1997_n0032_p014b.pdf0I Abecedari Fortunio Bonanova.(l) |tm_1997_n0032_p014b.pdf1093127Romeo, Julieta i Garcia L'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p014b.pdftm_1997_/n0032_p0/14b.dir1tm_1997_/n0029_01/4.dirTemps moderns 1997, no. 29, p 014Romaguera, Josep Carlestm_1997_n0029_014.pdf0CRÍTICAtm_1997_n0029_014.pdf1488238Rompiendo las olas. (Breaking the waves) de Lars Von TrierCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_014.pdftm_1997_/n0029_01/4.dir1tm_1997_/n0033_p0/17.dirTemps moderns 1997, no. 33, p 017Martí, Jorgetm_1997_n0033_p017.pdf0^ I Sairíiiiï La ventafocs de Long Islandtm_1997_n0033_p017.pdf1212977Sabrina: La ventafocs de Long Island<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p017.pdftm_1997_/n0033_p0/17.dir1tm_1997_/n0038_p0/14.dirTemps moderns 1997, no. 38, p 014-015Figuera, Antonitm_1997_n0038_p014.pdf0SAMUELtm_1997_n0038_p014.pdf2257971Samuel Fuller o la violència com a exercici de catarsi cinematogràficaSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p014.pdftm_1997_/n0038_p0/14.dir1tm_1997_/n0038_p0/16.dirTemps moderns 1997, no. 38, p 016Flores, Xaviertm_1997_n0038_p016.pdf0SAMUELtm_1997_n0038_p016.pdf1247893Samuel Fuller Stop És mort StopSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p016.pdftm_1997_/n0038_p0/16.dir1tm_1997_/n0038_p0/13.dirTemps moderns 1997, no. 38, p 013Vidal Amengual, Jaumetm_1997_n0038_p013.pdf0SAMUELtm_1997_n0038_p013.pdf1001873Samuel Fuller: El cine és acció i emociàSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p013.pdftm_1997_/n0038_p0/13.dir1tm_1997_/n0034_p0/20.dirTemps moderns 1997, no. 34, p 020Romaguera, Josep Carlestm_1997_n0034_p020.pdf0CRITICAtm_1997_n0034_p020.pdf1315378Secretos del corazón de Montxo ArmendárizCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p020.pdftm_1997_/n0034_p0/20.dir1tm_1997_/n0031_p0/17b.dirTemps moderns 1997, no. 31, p 017Romaguera, Josep Carlestm_1997_n0031_p017b.pdf0CRtm_1997_n0031_p017b.pdf1247948Shine, de Scott HicksCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p017b.pdftm_1997_/n0031_p0/17b.dir2tm_1997_/n0037_p0/04.dirTemps moderns 1997, no. 37, p 004-005Desola, Davidtm_1997_n0037_p004.pdf0SITGES '97tm_1997_n0037_p004.pdf2412005SITGES '97(El festival intermitent)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p004.pdftm_1997_/n0037_p0/04.dir1tm_1997_/n0030_p0/15.dirTemps moderns 1997, no. 30, p 015Obrador, Joantm_1997_n0030_p015.pdf0CRITICAtm_1997_n0030_p015.pdf1237503Sleepers ¿Apología de la injusticia?Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p015.pdftm_1997_/n0030_p0/15.dir1tm_1997_/n0029_00.dirTemps moderns 1997, no. 29, p 003Flores, Xaviertm_1997_n0029_003.pdf0Sobre el legretm_1997_n0029_003.pdf1365740Sobre el 'Negre'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_003.pdftm_1997_/n0029_00.dir1tm_1997_/n0036_p0/18.dirTemps moderns 1997, no. 36, p 018Franco, Joseptm_1997_n0036_p018.pdf0I Sobre història del cinema espanyol (I) |tm_1997_n0036_p018.pdf1335656Sobre història del cinema espanyol (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p018.pdftm_1997_/n0036_p0/18.dir1tm_1997_/n0038_p0/03.dirTemps moderns 1997, no. 38, p 003Franco, Joseptm_1997_n0038_p003.pdf0Sobre història del cinema espanyol (II)tm_1997_n0038_p003.pdf1133317Sobre història del cinema espanyol (II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p003.pdftm_1997_/n0038_p0/03.dir1tm_1997_/n0038_p0.dirTemps moderns 1997, no. 38, p 002Consell Editorialtm_1997_n0038_p002.pdf02tm_1997_n0038_p002.pdf796540Stardust memòriesEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p002.pdftm_1997_/n0038_p0.dir1tm_1997_/n0029_01/5.dirTemps moderns 1997, no. 29, p 015Revesado, Iñakitm_1997_n0029_015.pdf0CRITICAtm_1997_n0029_015.pdf1422258Surviving PicassoCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_015.pdftm_1997_/n0029_01/5.dir1tm_1997_/n0030_p0/09.dirTemps moderns 1997, no. 30, p 009Roca, Tonitm_1997_n0030_p009.pdf0LEStm_1997_n0030_p009.pdf1323637Tarda de terror al cinema AstoriaLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p009.pdftm_1997_/n0030_p0/09.dir1tm_1997_/n0038_p0/17.dirTemps moderns 1997, no. 38, p 017Barrera, Claudiotm_1997_n0038_p017.pdf017tm_1997_n0038_p017.pdf1242956Tardor Canyí<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p017.pdftm_1997_/n0038_p0/17.dir1tm_1997_/n0034_p0.dirTemps moderns 1997, no. 34, p 002Consell Editorialtm_1997_n0034_p002.pdf0Editorialtm_1997_n0034_p002.pdf1241137Temps de retallsEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p002.pdftm_1997_/n0034_p0.dir1tm_1997_/n0032_p0/16b.dirTemps moderns 1997, no. 32, p 016Romaguera, Josep Carlestm_1997_n0032_p016b.pdf016tm_1997_n0032_p016b.pdf1150493Territorio Comanche, de Gerardo HerreroCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p016b.pdftm_1997_/n0032_p0/16b.dir1tm_1997_/n0034_p0/08.dirTemps moderns 1997, no. 34, p 008Garau, Blancatm_1997_n0034_p008.pdf0The MÍtm_1997_n0034_p008.pdf1256760The end<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p008.pdftm_1997_/n0034_p0/08.dir1tm_1997_/n0037_p0.dirTemps moderns 1997, no. 37, p 003Consell Editorialtm_1997_n0037_p003.pdf0THE E·lHtm_1997_n0037_p003.pdf1121546The end<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p003.pdftm_1997_/n0037_p0.dir1tm_1997_/n0033_p0/13.dirTemps moderns 1997, no. 33, p 013Revesado, Iñakitm_1997_n0033_p013.pdf0tiltm_1997_n0033_p013.pdf1150687The Fortune Cookie(En bandeja de plata)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p013.pdftm_1997_/n0033_p0/13.dir1tm_1997_/n0029_00/8.dirTemps moderns 1997, no. 29, p 008Martí, Jorgetm_1997_n0029_008.pdf0@ I Tod Broujning: radiografia du'n visionartm_1997_n0029_008.pdf1364995Tod Browning: radiografia d'un visionari<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_008.pdftm_1997_/n0029_00/8.dir1tm_1997_/n0038_p0/19.dirTemps moderns 1997, no. 38, p 019Rotger, Francesc M.tm_1997_n0038_p019.pdf0ful L'escenari de llaunatm_1997_n0038_p019.pdf1145589Tot és mentidaL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p019.pdftm_1997_/n0038_p0/19.dir1tm_1997_/n0033_p0/03.dirTemps moderns 1997, no. 33, p 003Barrera, Claudiotm_1997_n0033_p003.pdf0Tots som Billy Ulildertm_1997_n0033_p003.pdf1162738Tots som Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p003.pdftm_1997_/n0033_p0/03.dir1tm_1997_/n0037_p0/15.dirTemps moderns 1997, no. 37, p 015Ortega, Elenatm_1997_n0037_p015.pdf0ESPECIALtm_1997_n0037_p015.pdf1166896Treballant a casaEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p015.pdftm_1997_/n0037_p0/15.dir1tm_1997_/n0037_p0/08.dirTemps moderns 1997, no. 37, p 008Rotger, Francesc M.tm_1997_n0037_p008.pdf0de Hamlet |tm_1997_n0037_p008.pdf1209713Tres quarts de HamletL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p008.pdftm_1997_/n0037_p0/08.dir1tm_1997_/n0038_p0/20.dirTemps moderns 1997, no. 38, p 020Desola, Davidtm_1997_n0038_p020.pdf0Trilogia de Hem Jerseytm_1997_n0038_p020.pdf1190355Trilogia de New JerseySexe, Còmics & Star Wars<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p020.pdftm_1997_/n0038_p0/20.dir1tm_1997_/n0031_p0/13.dirTemps moderns 1997, no. 31, p 013Porcel, Rafeltm_1997_n0031_p013.pdf0til Primer Platm_1997_n0031_p013.pdf1271525Una cara can ángelPrimer Pla<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p013.pdftm_1997_/n0031_p0/13.dir3tm_1997_/n0038_p0/04.dirTemps moderns 1997, no. 38, p 004-006Leyva, Alejandrotm_1997_n0038_p004.pdf0CINEMAtm_1997_n0038_p004.pdf3644297Una experiència singularCinema soviètic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p004.pdftm_1997_/n0038_p0/04.dir1tm_1997_/n0033_p0/11.dirTemps moderns 1997, no. 33, p 011Jordà, Eduardotm_1997_n0033_p011.pdf0(tf) Una partida d'escacs amb íulletes d'aíaitartm_1997_n0033_p011.pdf1180053Una partida d'escacs amb fulletes d'afaitar<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p011.pdftm_1997_/n0033_p0/11.dir1tm_1997_/n0038_p0/18.dirTemps moderns 1997, no. 38, p 018Roca, Tonitm_1997_n0038_p018.pdf0Vivien Leigh visitala ciutat de Roma |tm_1997_n0038_p018.pdf1281354Vivien Leigh visitala ciutat de Rom<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p018.pdftm_1997_/n0038_p0/18.dir1tm_1997_/n0029_00/4.dirTemps moderns 1997, no. 29, p 004-005Franco, Joseptm_1997_n0029_004.pdf0Itm_1997_n0029_004.pdf2750067WesternEls gèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_004.pdftm_1997_/n0029_00/4.dir1tm_1997_/n0033_p0/06.dirTemps moderns 1997, no. 33, p 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<p><em><strong>Temps Moderns. Papers de Cinema</strong></em></p> <p><em>Temps Moderns. Papers de Cinema</em> és una revista de divulgació per a cinèfils, editada pel Centre de Cultura Sa Nostra i dirigida, des de desembre de 1994, per Jaume Vidal Amengual. En una primera època presentava el subtítol <em>Fulls de Cinema</em>, que deixà d’aparèixer, i no serà fins al número 30, de 1997, que hi apareixerà el subtítol <em>Papers de Cinema</em>.</p> <p>Des del seu inici se n’han publicat 158 números, en els quals han col·laborat una cinquantena de firmes del món del periodisme, la història i les arts escèniques de les illes Balears. </p> <p>El nom de la publicació <em>Temps Moderns</em> vol ser l'homenatge a un mestratge, el reconeixement a una gran obra realitzada l'any 1936, i sobretot, a la figura del seu autor. «Temps moderns foren aquells per a Chaplin i temps moderns són aquests per a tots nosaltres en una demostració que el cinema no mor», deia l’editorial del número u, de març de 1994.</p> <p><strong>Fitxa tècnica</strong></p> <p>Editor: Centre de Cultura «Sa Nostra», Caixa de Balears<br> Director: Jaume Vidal Amengual<br> Periodicitat: mensual, setmanal<br> Llengua: català<br> Primer número: 1994<br> Darrer número (núm. 158): 2009logo_home.jpglogo_collection.jpgTemps Moderns. Papers de CinemaTitolsAutorResumText completParaula clauAny de publicacióMatèria en cataláMatèria en anglèstextTitleSourcedocumentdc.CreatorText completAny de publicació{"name":"dc.Title","label":"Title","tooltip":"dc.Title: A name given to the resource.","type":"text"}, {"name":"dc.Creator","label":"Creator","tooltip":"dc.Creator: An entity primarily responsible for making the content of the resource.","type":"text"}, {"name":"dc.Description","label":"Description","tooltip":"dc.Description: An account of the content of the resource.","type":"text"}documentTítolMatèria en catalàMatèria en anglèsAutornullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnulltítolnullAutornullMatèrianullAnynullvolums completsnulleduard.delvalle@uib.estrue2692lucenetempsModernsgdbm16936230971693562361/greenstone/sites/localsite/collect/tempsModernsuntidy