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1994199519961tm_1997_/n0031_p0/08.dirTemps moderns 1997, no. 31, p 008Ortega, Elenatm_1997_n0031_p008.pdf0í j ) I "Ernest Laman un escriptor totterrenftm_1997_n0031_p008.pdf1359922"Ernest Lehman un escriptor totterreny"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p008.pdftm_1997_/n0031_p0/08.dir1tm_1997_/n0030_p0/18.dirTemps moderns 1997, no. 30, p 018Klynhout, Claudiotm_1997_n0030_p018.pdf0CRtm_1997_n0030_p018.pdf1286050"Jack" F. Coppola.Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p018.pdftm_1997_/n0030_p0/18.dir1tm_1997_/n0036_p0.dirTemps moderns 1997, no. 36, p 002Consell Editorialtm_1997_n0036_p002.pdf0Editorialtm_1997_n0036_p002.pdf1045306A M.P. en el recordEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p002.pdftm_1997_/n0036_p0.dir1tm_1997_/n0036_p0/03.dirTemps moderns 1997, no. 36, p 003Roca, Tonitm_1997_n0036_p003.pdf0f u ¿ ) I H Dcean Park amb Lauren Bacal |tm_1997_n0036_p003.pdf1297616A Ocean Park amb Lauren Bacall<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p003.pdftm_1997_/n0036_p0/03.dir1tm_1997_/n0034_p0/11.dirTemps moderns 1997, no. 34, p 011Jordà, Eduardotm_1997_n0034_p011.pdf0á j ) I Hbecedari de Fortunio Bonanova (2)tm_1997_n0034_p011.pdf1212067Abecedari de Fortunio Bonanova (2)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p011.pdftm_1997_/n0034_p0/11.dir1tm_1997_/n0035_p0/13.dirTemps moderns 1997, no. 35, p 013Jordà, Eduardotm_1997_n0035_p013.pdf0I Iecedari de Fortunio Bonanova (¡3) |tm_1997_n0035_p013.pdf1191539Abecedari de Fortunio Bonanova (¡3)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p013.pdftm_1997_/n0035_p0/13.dir1tm_1997_/n0032_p0/14.dirTemps moderns 1997, no. 32, p 014Jordà, Eduardotm_1997_n0032_p014.pdf0I Abecedari Fortunio Bonanova.(l) |tm_1997_n0032_p014.pdf1093089Abecedari Fortunio Bonanova (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p014.pdftm_1997_/n0032_p0/14.dir1tm_1997_/n0031_p0/05.dirTemps moderns 1997, no. 31, p 005Eluordi, Joantm_1997_n0031_p005.pdf0Abocats al futurtm_1997_n0031_p005.pdf1240862Abocats al futurCicle de cinema temàtic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p005.pdftm_1997_/n0031_p0/05.dir1tm_1997_/n0035_p0.dirTemps moderns 1997, no. 35, p 002Consell Editorialtm_1997_n0035_p002.pdf0Editorialtm_1997_n0035_p002.pdf937768Achtung BitteEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p002.pdftm_1997_/n0035_p0.dir1tm_1997_/n0035_p0/03.dirTemps moderns 1997, no. 35, p 003Roca, Tonitm_1997_n0035_p003.pdf0tiltm_1997_n0035_p003.pdf1168564Agost o la tenebra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p003.pdftm_1997_/n0035_p0/03.dir1tm_1997_/n0032_p0/13.dirTemps moderns 1997, no. 32, p 013Roca, Tonitm_1997_n0032_p013.pdf013 Iflleshores.Hunsent Boulevard BilyUlildEr |tm_1997_n0032_p013.pdf1014964Aleshores, Sunsent Boulevard, Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p013.pdftm_1997_/n0032_p0/13.dir1tm_1997_/n0033_p0/04.dirTemps moderns 1997, no. 33, p 004Martín Jiménez, Ignaciotm_1997_n0033_p004.pdf0El mirador deV infinittm_1997_n0033_p004.pdf1386625Amb faldes i... seriosamentEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p004.pdftm_1997_/n0033_p0/04.dir1tm_1997_/n0031_p0.dirTemps moderns 1997, no. 31, p 002Consell Editorialtm_1997_n0031_p002.pdf0Editorialtm_1997_n0031_p002.pdf1134220And the Oscar goes toEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p002.pdftm_1997_/n0031_p0.dir1tm_1997_/n0029_01/2.dirTemps moderns 1997, no. 29, p 012Serra, Antonitm_1997_n0029_012.pdf0CINEMAtm_1997_n0029_012.pdf1458748Andreu Ferret, sentit de llibertatCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_012.pdftm_1997_/n0029_01/2.dir1tm_1997_/n0032_p0/06.dirTemps moderns 1997, no. 32, p 006Garcias, Domènectm_1997_n0032_p006.pdf0M-ÏÏSI5tm_1997_n0032_p006.pdf1182072Anti-tesis<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p006.pdftm_1997_/n0032_p0/06.dir1tm_1997_/n0036_p0/17.dirTemps moderns 1997, no. 36, p 017Serra, Antonitm_1997_n0036_p017.pdf0I £ E & , I MánIMm Simarlhtm_1997_n0036_p017.pdf1034354Antón, Antoni. Simar, RamisMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p017.pdftm_1997_/n0036_p0/17.dir1tm_1997_/n0038_p0/09.dirTemps moderns 1997, no. 38, p 009Cruz, Miqueltm_1997_n0038_p009.pdf0CINEMAtm_1997_n0038_p009.pdf1123956Aproximació al cinema a MallorcaCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p009.pdftm_1997_/n0038_p0/09.dir1tm_1997_.dirTemps moderns 1997, no. 29, p 002Consell Editorialtm_1997_n0029_002.pdf0Editorialtm_1997_n0029_002.pdf1147452Arrivederci MarcelloEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_002.pdftm_1997_.dir1tm_1997_/n0037_p0/07.dirTemps moderns 1997, no. 37, p 007Martín Jiménez, Ignaciotm_1997_n0037_p007.pdf0Assalt i robatori d'un tren:tm_1997_n0037_p007.pdf1231513Assalt i robatori d'un tren: a les cavernes del cineLa finestra de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p007.pdftm_1997_/n0037_p0/07.dir1tm_1997_/n0033_p0/14.dirTemps moderns 1997, no. 33, p 014Serra, Antonitm_1997_n0033_p014.pdf0Billy Ulatson Holmestm_1997_n0033_p014.pdf1322745Billy Watson Holmes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p014.pdftm_1997_/n0033_p0/14.dir1tm_1997_/n0034_p0/19.dirTemps moderns 1997, no. 34, p 019Bover, Joantm_1997_n0034_p019.pdf0eitm_1997_n0034_p019.pdf1199198Capitán Conan de Bertrand TavernierCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p019.pdftm_1997_/n0034_p0/19.dir1tm_1997_/n0034_p0/21.dirTemps moderns 1997, no. 34, p 021Franco, Joseptm_1997_n0034_p021.pdf0CRITICAtm_1997_n0034_p021.pdf1225483Carretera prohibida de David LynchCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p021.pdftm_1997_/n0034_p0/21.dir1tm_1997_/n0036_p0/16.dirTemps moderns 1997, no. 36, p 016Figuera, Antonitm_1997_n0036_p016.pdf0Cine negre i novel·la negratm_1997_n0036_p016.pdf1252778Cine negre i novel·la negra(Crònica d'una convergència anunciada)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p016.pdftm_1997_/n0036_p0/16.dir1tm_1997_/n0034_p0/05.dirTemps moderns 1997, no. 34, p 005Estelrich i Massutí, Peretm_1997_n0034_p005.pdf0Banda sonoratm_1997_n0034_p005.pdf1414076Classical BarbraBanda sonora<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p005.pdftm_1997_/n0034_p0/05.dir1tm_1997_/n0029_00/6.dirTemps moderns 1997, no. 29, p 006Martín Jiménez, Ignaciotm_1997_n0029_006.pdf0El mirador de Vinfinittm_1997_n0029_006.pdf1474618Cocteau: en el llindar de la paraulaEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_006.pdftm_1997_/n0029_00/6.dir1tm_1997_/n0037_p0/23.dirTemps moderns 1997, no. 37, p 023Vidal Amengual, Jaumetm_1997_n0037_p023.pdf023tm_1997_n0037_p023.pdf966527Contracamp<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p023.pdftm_1997_/n0037_p0/23.dir2tm_1997_/n0034_p0/14.dirTemps moderns 1997, no. 34, p 014-015Flores, Xaviertm_1997_n0034_p014.pdf00 | Conversa amb [arles Halagué |tm_1997_n0034_p014.pdf2548423Conversa amb Carles Balagué<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p014.pdftm_1997_/n0034_p0/14.dir2tm_1997_/n0031_p0/10.dirTemps moderns 1997, no. 31, p 010-011Flores, Xaviertm_1997_n0031_p010.pdf0Conversa amb Ireia Ros |tm_1997_n0031_p010.pdf2392801Conversa amb Mireia Ros<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p010.pdftm_1997_/n0031_p0/10.dir1tm_1997_/n0038_p0/21b.dirTemps moderns 1997, no. 38, p 021Romaguera, Josep Carlestm_1997_n0038_p021b.pdf0CRITICAtm_1997_n0038_p021b.pdf973934Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p021b.pdftm_1997_/n0038_p0/21b.dir1tm_1997_/n0038_p0/22b.dirTemps moderns 1997, no. 38, p 022Pérez de Mendiola, J. A.tm_1997_n0038_p022b.pdf0UNA HISTORIA DIFERENTEtm_1997_n0038_p022b.pdf887010Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p022b.pdftm_1997_/n0038_p0/22b.dir1tm_1997_/n0037_p0/21.dirTemps moderns 1997, no. 37, p 021Revesado, Iñakitm_1997_n0037_p021.pdf0EL COLOR DE LAStm_1997_n0037_p021.pdf1149053Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p021.pdftm_1997_/n0037_p0/21.dir1tm_1997_/n0037_p0/22.dirTemps moderns 1997, no. 37, p 022Bover, Joantm_1997_n0037_p022.pdf0CRITICAtm_1997_n0037_p022.pdf1033099Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p022.pdftm_1997_/n0037_p0/22.dir1tm_1997_/n0038_p0/21.dirTemps moderns 1997, no. 38, p 021Revesado, Iñakitm_1997_n0038_p021.pdf0CRITICAtm_1997_n0038_p021.pdf974773Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p021.pdftm_1997_/n0038_p0/21.dir1tm_1997_/n0037_p0/22b.dirTemps moderns 1997, no. 37, p 022Pérez de Mendiola, J. A.tm_1997_n0037_p022b.pdf0CRITICAtm_1997_n0037_p022b.pdf1032271Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p022b.pdftm_1997_/n0037_p0/22b.dir1tm_1997_/n0036_p0/22.dirTemps moderns 1997, no. 36, p 022Bover, Joantm_1997_n0036_p022.pdf022tm_1997_n0036_p022.pdf1013617Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p022.pdftm_1997_/n0036_p0/22.dir1tm_1997_/n0038_p0/22.dirTemps moderns 1997, no. 38, p 022Bover, Joantm_1997_n0038_p022.pdf0UNA HISTORIA DIFERENTEtm_1997_n0038_p022.pdf886948Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p022.pdftm_1997_/n0038_p0/22.dir1tm_1997_/n0037_p0/21b.dirTemps moderns 1997, no. 37, p 021Romaguera, Josep Carlestm_1997_n0037_p021b.pdf0EL COLOR DE LAStm_1997_n0037_p021b.pdf1148212Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p021b.pdftm_1997_/n0037_p0/21b.dir1tm_1997_/n0036_p0/21.dirTemps moderns 1997, no. 36, p 021Romaguera, Josep Carlestm_1997_n0036_p021.pdf0CRITICAtm_1997_n0036_p021.pdf1127631Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p021.pdftm_1997_/n0036_p0/21.dir1tm_1997_/n0034_p0/18.dirTemps moderns 1997, no. 34, p 018Serra, Antonitm_1997_n0034_p018.pdf0Memoria de Cel·luloidetm_1997_n0034_p018.pdf1305088Crítics crònicsMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p018.pdftm_1997_/n0034_p0/18.dir1tm_1997_/n0035_p0/14.dirTemps moderns 1997, no. 35, p 014Riera, Ernesttm_1997_n0035_p014.pdf0I Crònica de la mort del cinema clàssictm_1997_n0035_p014.pdf1190457Crònica de la mort del cinema clàssic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p014.pdftm_1997_/n0035_p0/14.dir1tm_1997_/n0036_p0/14.dirTemps moderns 1997, no. 36, p 014Waldren, Tanatm_1997_n0036_p014.pdf014tm_1997_n0036_p014.pdf1133743Crònica des de Hollywood<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p014.pdftm_1997_/n0036_p0/14.dir1tm_1997_/n0035_p0/15.dirTemps moderns 1997, no. 35, p 015Martorell, Margalidatm_1997_n0035_p015.pdf0til Dave Grusin: un talenttm_1997_n0035_p015.pdf1128960Dave Grusin: un talent<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p015.pdftm_1997_/n0035_p0/15.dir1tm_1997_/n0033_p0/08.dirTemps moderns 1997, no. 33, p 008Mendiola, Josep Antonitm_1997_n0033_p008.pdf0ina relació podien tenir Billytm_1997_n0033_p008.pdf1172527De la immortalitat a l'oblit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p008.pdftm_1997_/n0033_p0/08.dir1tm_1997_/n0037_p0/06.dirTemps moderns 1997, no. 37, p 006Monge, Fernandotm_1997_n0037_p006.pdf0Flash Back Dels pioners de Brigthon a Portertm_1997_n0037_p006.pdf1129101Dels pioners de Brigthon a Porter (els començaments de la narrativa cinematogràfica)Flash Back<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p006.pdftm_1997_/n0037_p0/06.dir1tm_1997_/n0030_p0/04.dirTemps moderns 1997, no. 30, p 004Mendiola, Josep Antonitm_1997_n0030_p004.pdf0ÍJMtm_1997_n0030_p004.pdf1294524Després del Mestre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p004.pdftm_1997_/n0030_p0/04.dir1tm_1997_/n0031_p0/06.dirTemps moderns 1997, no. 31, p 006Houman, Sadamtm_1997_n0031_p006.pdf0ttltm_1997_n0031_p006.pdf1284621Disney<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p006.pdftm_1997_/n0031_p0/06.dir2tm_1997_/n0036_p0/12.dirTemps moderns 1997, no. 36, p 012-013Revesado, Iñakitm_1997_n0036_p012.pdf0I Donostia 97: ID dies de cinema |tm_1997_n0036_p012.pdf2261590Donostia 97: 10 dies de cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p012.pdftm_1997_/n0036_p0/12.dir1tm_1997_/n0032_p0/08.dirTemps moderns 1997, no. 32, p 008Pomar, Jaumetm_1997_n0032_p008.pdf0EIprocés, Orson Mestm_1997_n0032_p008.pdf834999EI procés, d'Orson Welles<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p008.pdftm_1997_/n0032_p0/08.dir1tm_1997_/n0031_p0/19.dirTemps moderns 1997, no. 31, p 019Bover, Joantm_1997_n0031_p019.pdf0CRITICAtm_1997_n0031_p019.pdf1171707El agente secreto, de Cristopher HamptonCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p019.pdftm_1997_/n0031_p0/19.dir1tm_1997_/n0031_p0/16.dirTemps moderns 1997, no. 31, p 016Klynhout, Claudiotm_1997_n0031_p016.pdf0CRITICAtm_1997_n0031_p016.pdf1308468El amor perjudica seriamente la salud, de Manuel Gómez PereiraCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p016.pdftm_1997_/n0031_p0/16.dir1tm_1997_/n0036_p0/08.dirTemps moderns 1997, no. 36, p 008Jordà, Eduardotm_1997_n0036_p008.pdf0Elfaigotde Draculatm_1997_n0036_p008.pdf1398252El bigot de Dràcula<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p008.pdftm_1997_/n0036_p0/08.dir1tm_1997_/n0037_p0/16.dirTemps moderns 1997, no. 37, p 016Jordà, Eduardotm_1997_n0037_p016.pdf0ESPECIALtm_1997_n0037_p016.pdf1189098El cine a cavallEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p016.pdftm_1997_/n0037_p0/16.dir1tm_1997_/n0032_p0/07.dirTemps moderns 1997, no. 32, p 007Vallés, Matíastm_1997_n0032_p007.pdf0El cine da'ctor i la psicofisonomia |tm_1997_n0032_p007.pdf998921El cine d'actor i la psicofisonomia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p007.pdftm_1997_/n0032_p0/07.dir1tm_1997_/n0029_01/9.dirTemps moderns 1997, no. 29, p 019López Crespí, Miqueltm_1997_n0029_019.pdf019tm_1997_n0029_019.pdf1328797El cine dels anys cinquanta i seixanta (III)La nostra universitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_019.pdftm_1997_/n0029_01/9.dir2tm_1997_/n0032_p0/04.dirTemps moderns 1997, no. 32, p 004López Crespí, Miqueltm_1997_n0032_p004.pdf0El cine dels anys cinquan La nostratm_1997_n0032_p004.pdf2134678El cine dels anys cinquanta i seixanta (IV)La nostra universitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p004.pdftm_1997_/n0032_p0/04.dir1tm_1997_/n0035_p0/12.dirTemps moderns 1997, no. 35, p 012Figuera, Antonitm_1997_n0035_p012.pdf0[/) I El cine: un art de la mirada |tm_1997_n0035_p012.pdf1331529El cine: un art de la mirada<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p012.pdftm_1997_/n0035_p0/12.dir1tm_1997_/n0034_p0/17.dirTemps moderns 1997, no. 34, p 017Desola, Davidtm_1997_n0034_p017.pdf0El cinema dins el cinematm_1997_n0034_p017.pdf1469240El cinema dins el cinema1a Part: Els rodatges introspectius<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p017.pdftm_1997_/n0034_p0/17.dir1tm_1997_/n0035_p0/04.dirTemps moderns 1997, no. 35, p 004Desola, Davidtm_1997_n0035_p004.pdf0El cinema dins el cinematm_1997_n0035_p004.pdf1336514El cinema dins el cinema2 Part: La Quimera cinematogràfica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p004.pdftm_1997_/n0035_p0/04.dir1tm_1997_/n0031_p0/09.dirTemps moderns 1997, no. 31, p 009Planas Sanmartí, Joseptm_1997_n0031_p009.pdf0# I El Cinema, historia du'na passió (1)tm_1997_n0031_p009.pdf1267452El Cinema, historia d'una passió (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p009.pdftm_1997_/n0031_p0/09.dir1tm_1997_/n0029_00/7.dirTemps moderns 1997, no. 29, p 007Sánchez-Cuenca, F. Javiertm_1997_n0029_007.pdf0Aventurers El darrer any negre du'ntm_1997_n0029_007.pdf1385075El darrer any negre d'un alumne aplicatAventurers a la força<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_007.pdftm_1997_/n0029_00/7.dir1tm_1997_/n0029_01/1.dirTemps moderns 1997, no. 29, p 011Oliver, Antonitm_1997_n0029_011.pdf0CINEMAtm_1997_n0029_011.pdf1456429El documentalCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_011.pdftm_1997_/n0029_01/1.dir1tm_1997_/n0029_01/3.dirTemps moderns 1997, no. 29, p 013Romaguera, Joan Carlestm_1997_n0029_013.pdf013tm_1997_n0029_013.pdf1374713El geperut de Notre Dame. (The hundback of Notre Dame) de Walt Disney Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_013.pdftm_1997_/n0029_01/3.dir1tm_1997_/n0034_p0/06.dirTemps moderns 1997, no. 34, p 006Oliver, Antonitm_1997_n0034_p006.pdf0fá\\ El gran reportatge al cinema |tm_1997_n0034_p006.pdf1447162El gran reportatge al cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p006.pdftm_1997_/n0034_p0/06.dir1tm_1997_/n0030_p0/17.dirTemps moderns 1997, no. 30, p 017Bover, Joantm_1997_n0030_p017.pdf0CRITICAtm_1997_n0030_p017.pdf1283566El joc de la triaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p017.pdftm_1997_/n0030_p0/17.dir1tm_1997_/n0032_p0/15.dirTemps moderns 1997, no. 32, p 015Gomila, Peretm_1997_n0032_p015.pdf0El mirall deformanttm_1997_n0032_p015.pdf929508El mirall deformant. L'homosexualitat masculina al cine<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p015.pdftm_1997_/n0032_p0/15.dir1tm_1997_/n0032_p0/16.dirTemps moderns 1997, no. 32, p 016Flores, Xaviertm_1997_n0032_p016.pdf016tm_1997_n0032_p016.pdf1150479El paciente inglés, d'Anthony MinghellaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p016.pdftm_1997_/n0032_p0/16.dir1tm_1997_/n0031_p0/17.dirTemps moderns 1997, no. 31, p 017Romaguera, Joan Carlestm_1997_n0031_p017.pdf0CRtm_1997_n0031_p017.pdf1247981El perro del hortelano, de Pilar MiróCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p017.pdftm_1997_/n0031_p0/17.dir1tm_1997_/n0032_p0/18.dirTemps moderns 1997, no. 32, p 018Revesado, Iñakitm_1997_n0032_p018.pdf018 El petit escàndol de Larry Flpttm_1997_n0032_p018.pdf1174353El petit escàndol de Larry, de Milos FormanCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p018.pdftm_1997_/n0032_p0/18.dir1tm_1997_/n0038_p0/19b.dirTemps moderns 1997, no. 38, p 019Martorell, Margalidatm_1997_n0038_p019b.pdf0ful L'escenari de llaunatm_1997_n0038_p019b.pdf1144742El que les paraules no poden expressar<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p019b.pdftm_1997_/n0038_p0/19b.dir1tm_1997_/n0035_p0/06.dirTemps moderns 1997, no. 35, p 006-007Martí, Jorgetm_1997_n0035_p006.pdf0I El realisme poètic de Marcel Carné |tm_1997_n0035_p006.pdf2483603El realisme poètic de Marcel Carné<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p006.pdftm_1997_/n0035_p0/06.dir1tm_1997_/n0031_p0/18.dirTemps moderns 1997, no. 31, p 018Revesado, Iñakitm_1997_n0031_p018.pdf0CRITICAtm_1997_n0031_p018.pdf1336116El secret de John SaylesCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p018.pdftm_1997_/n0031_p0/18.dir1tm_1997_/n0037_p0/10.dirTemps moderns 1997, no. 37, p 010Aguiló, Catalinatm_1997_n0037_p010.pdf010 Cinema a les Ules Els Engimes dels primers lücals (1)tm_1997_n0037_p010.pdf1288964Els Enigmes dels primers localsCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p010.pdftm_1997_/n0037_p0/10.dir1tm_1997_/n0036_p0/05.dirTemps moderns 1997, no. 36, p 005Riera, Ernesttm_1997_n0036_p005.pdf0LHome que va matar álílajor Strassertm_1997_n0036_p005.pdf2779048Els Extres<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p005.pdftm_1997_/n0036_p0/05.dir1tm_1997_/n0031_p0/07.dirTemps moderns 1997, no. 31, p 007Matesanz, Javiertm_1997_n0031_p007.pdf0fj> I Els Coya.el públic i la crítica |tm_1997_n0031_p007.pdf1192225Els Goya, el públic i la crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p007.pdftm_1997_/n0031_p0/07.dir1tm_1997_/n0033_p0/09.dirTemps moderns 1997, no. 33, p 009Estelrich i Massutí, Peretm_1997_n0033_p009.pdf0B\\ Els músics detm_1997_n0033_p009.pdf1146532Els músics de Billy Wider<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p009.pdftm_1997_/n0033_p0/09.dir1tm_1997_/n0031_p0/12.dirTemps moderns 1997, no. 31, p 012Oliver, Antonitm_1997_n0031_p012.pdf0Els periodistes grocs-tm_1997_n0031_p012.pdf1387096Els periodistes grocs: les versions de "The Front page"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p012.pdftm_1997_/n0031_p0/12.dir1tm_1997_/n0035_p0/17.dirTemps moderns 1997, no. 35, p 017-018Rosselló, Josep J.tm_1997_n0035_p017.pdf0I Els vels couí-hoys mai no moren 0 sí.tm_1997_n0035_p017.pdf1104181Els vells cow-boys mai no moren. O sí<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p017.pdftm_1997_/n0035_p0/17.dir1tm_1997_/n0036_p0/11.dirTemps moderns 1997, no. 36, p 011Cruz, Miqueltm_1997_n0036_p011.pdf011tm_1997_n0036_p011.pdf1094075Entrevista a Nofre Moyà<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p011.pdftm_1997_/n0036_p0/11.dir1tm_1997_/n0038_p0/08.dirTemps moderns 1997, no. 38, p 008Gallego, RafaelCruz, Miqueltm_1997_n0038_p008.pdf0CINEMAtm_1997_n0038_p008.pdf1093268Entrevista a Vicenç MatasCinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p008.pdftm_1997_/n0038_p0/08.dir1tm_1997_/n0035_p0/10.dirTemps moderns 1997, no. 35, p 010-011Flores, Xaviertm_1997_n0035_p010.pdf010 Entrevista amb Lluís Casasayastm_1997_n0035_p010.pdf2309326Entrevista amb Lluís Casasayas<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p010.pdftm_1997_/n0035_p0/10.dir1tm_1997_/n0033_p0/05.dirTemps moderns 1997, no. 33, p 005Ortega, Elenatm_1997_n0033_p005.pdf0^íj I "És perfecta. Ara farem que sigui encaratm_1997_n0033_p005.pdf1130116És perfecta. Ara farem que sigui encara millor<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p005.pdftm_1997_/n0033_p0/05.dir1tm_1997_/n0037_p0/14.dirTemps moderns 1997, no. 37, p 014Sánchez-Cuenca, F. Javiertm_1997_n0037_p014.pdf0ESPECIALtm_1997_n0037_p014.pdf1149350Faulkner al SantuariEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p014.pdftm_1997_/n0037_p0/14.dir1tm_1997_/n0037_p0/17.dirTemps moderns 1997, no. 37, p 017Serra, Antonitm_1997_n0037_p017.pdf0ESPECIALtm_1997_n0037_p017.pdf1211218Faulkner, o el final dels escriptors rebelsEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p017.pdftm_1997_/n0037_p0/17.dir4tm_1997_/n0033_p0/24.dirTemps moderns 1997, no. 33, p 024-027Consell Editorialtm_1997_n0033_p024.pdf0Filmografiatm_1997_n0033_p024.pdf5766041Filmografia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p024.pdftm_1997_/n0033_p0/24.dir2tm_1997_/n0037_p0/18.dirTemps moderns 1997, no. 37, p 018-019Consell Editorialtm_1997_n0037_p018.pdf0ESPECIALtm_1997_n0037_p018.pdf2696738Filmografia de FaulknerEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p018.pdftm_1997_/n0037_p0/18.dir1tm_1997_/n0030_p0/10.dirTemps moderns 1997, no. 30, p 010Martín Jiménez, Ignaciotm_1997_n0030_p010.pdf0LEStm_1997_n0030_p010.pdf1518962FreaksEl mirador de l'infinitLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p010.pdftm_1997_/n0030_p0/10.dir1tm_1997_/n0032_p0/03.dirTemps moderns 1997, no. 32, p 003Consell Editorialtm_1997_n0032_p003.pdf0Fred Zinnemanntm_1997_n0032_p003.pdf935056Fred Zinneman<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p003.pdftm_1997_/n0032_p0/03.dir1tm_1997_/n0038_p0/12.dirTemps moderns 1997, no. 38, p 012Serra, Antonitm_1997_n0038_p012.pdf0SAMUELtm_1997_n0038_p012.pdf1239864Fuller, o la follia com a mètode expressiuSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p012.pdftm_1997_/n0038_p0/12.dir1tm_1997_/n0036_p0/07.dirTemps moderns 1997, no. 36, p 007Martín Jiménez, Ignaciotm_1997_n0036_p007.pdf0La finestra de Vinfinittm_1997_n0036_p007.pdf1239317G. Méliès: la transgressió imaginària.La finestra de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p007.pdftm_1997_/n0036_p0/07.dir1tm_1997_/n0036_p0/06.dirTemps moderns 1997, no. 36, p 006Monge, Fernandotm_1997_n0036_p006.pdf0Flash Backtm_1997_n0036_p006.pdf1403922Georges Méliès: el cine com a fantasia (1860-1938)Flash Back<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p006.pdftm_1997_/n0036_p0/06.dir1tm_1997_/n0032_p0/09.dirTemps moderns 1997, no. 32, p 009Franco, Joseptm_1997_n0032_p009.pdf0Generes cinematogràficstm_1997_n0032_p009.pdf1145003HistòricEls gèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p009.pdftm_1997_/n0032_p0/09.dir1tm_1997_/n0034_p0/09.dirTemps moderns 1997, no. 34, p 009Matesanz, Javiertm_1997_n0034_p009.pdf0ttl Monòlegstm_1997_n0034_p009.pdf1282371Històries d'absolutMonòlegs<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p009.pdftm_1997_/n0034_p0/09.dir1tm_1997_/n0037_p0/12.dirTemps moderns 1997, no. 37, p 012-013Figuera, Antonitm_1997_n0037_p012.pdf0I Mlpood i la Generació Perduda1 Mtm_1997_n0037_p012.pdf2536113Hollywood i la Generació Perduda: algunes puntualitzacions sobre Faulkner i el cineEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p012.pdftm_1997_/n0037_p0/12.dir1tm_1997_/n0033_p0/12.dirTemps moderns 1997, no. 33, p 012Romaguera, Josep Carlestm_1997_n0033_p012.pdf0mtm_1997_n0033_p012.pdf1331998Irma la dulce(Irma, la dulce) de Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p012.pdftm_1997_/n0033_p0/12.dir1tm_1997_/n0033_p0.dirTemps moderns 1997, no. 33, p 002Consell Editorialtm_1997_n0033_p002.pdf0Editorialtm_1997_n0033_p002.pdf1251053Kees me, stupidEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p002.pdftm_1997_/n0033_p0.dir1tm_1997_/n0038_p0/10.dirTemps moderns 1997, no. 38, p 010Sbert i Barceló, Miqueltm_1997_n0038_p010.pdf0CINEMAtm_1997_n0038_p010.pdf1145892L'arribada del sonor a Mallorca (I)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p010.pdftm_1997_/n0038_p0/10.dir1tm_1997_/n0031_p0/04.dirTemps moderns 1997, no. 31, p 004Estelrich i Massutí, Peretm_1997_n0031_p004.pdf0ttl Lh'ome del violonceltm_1997_n0031_p004.pdf1198746L'home del violoncell<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p004.pdftm_1997_/n0031_p0/04.dir1tm_1997_/n0036_p0/04.dirTemps moderns 1997, no. 36, p 004-005Desola, Davidtm_1997_n0036_p004.pdf0LHome que va matar álílajor Strassertm_1997_n0036_p004.pdf2779097L'Home que va matar el Major Strasser<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p004.pdftm_1997_/n0036_p0/04.dir1tm_1997_/n0030_p0/11.dirTemps moderns 1997, no. 30, p 011Jordà, Eduardotm_1997_n0030_p011.pdf0LEStm_1997_n0030_p011.pdf1365878L'inimaginableLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p011.pdftm_1997_/n0030_p0/11.dir1tm_1997_/n0030_p0/16.dirTemps moderns 1997, no. 30, p 016Revesado, Iñakitm_1997_n0030_p016.pdf0CRtm_1997_n0030_p016.pdf1300029La buena vidaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p016.pdftm_1997_/n0030_p0/16.dir1tm_1997_/n0033_p0/07.dirTemps moderns 1997, no. 33, p 007Franco, Joseptm_1997_n0033_p007.pdf0La Comèdia de Billytm_1997_n0033_p007.pdf1226206La Comèdia de Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p007.pdftm_1997_/n0033_p0/07.dir1tm_1997_/n0034_p0/04.dirTemps moderns 1997, no. 34, p 004Martín Jiménez, Ignaciotm_1997_n0034_p004.pdf0El mirador de Vinfinittm_1997_n0034_p004.pdf1310721La comèdia i la relació sexualEl mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p004.pdftm_1997_/n0034_p0/04.dir1tm_1997_/n0030_p0/11b.dirTemps moderns 1997, no. 30, p 011Salom, Jeronitm_1997_n0030_p011b.pdf0LEStm_1997_n0030_p011b.pdf1365892La crida de l'infernLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p011b.pdftm_1997_/n0030_p0/11b.dir1tm_1997_/n0030_p0/03.dirTemps moderns 1997, no. 30, p 003Serra, Antonitm_1997_n0030_p003.pdf0La disbauxa ül Verdug Memoriatm_1997_n0030_p003.pdf1335326La disbauxa d'El Verdugo (III)Memòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p003.pdftm_1997_/n0030_p0/03.dir1tm_1997_/n0029_01/7.dirTemps moderns 1997, no. 29, p 017Estelrich i Massutí, Peretm_1997_n0029_017.pdf0til Banda sonoratm_1997_n0029_017.pdf1324112La folliaBanda sonora<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_017.pdftm_1997_/n0029_01/7.dir1tm_1997_/n0038_p0/23.dirTemps moderns 1997, no. 38, p 023López Crespí, Miqueltm_1997_n0038_p023.pdf023 La influència del cinema enProgramaciótm_1997_n0038_p023.pdf1106174La influència del cinema en 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34, p 016Genovart, Gabrieltm_1997_n0034_p016.pdf0e i La realitat i lestm_1997_n0034_p016.pdf1260250La realitat i les ombres<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p016.pdftm_1997_/n0034_p0/16.dir1tm_1997_/n0033_p0/16.dirTemps moderns 1997, no. 33, p 016Merino, Fernandotm_1997_n0033_p016.pdf0I La tragedia de Leo fasa versus l'espectacle de Diarles Tatatm_1997_n0033_p016.pdf1383043La tragedia de Leo Minosa versus l'espectacle de Charles Tatum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p016.pdftm_1997_/n0033_p0/16.dir1tm_1997_/n0032_p0.dirTemps moderns 1997, no. 32, p 002Consell Editorialtm_1997_n0032_p002.pdf0LAMERICAtm_1997_n0032_p002.pdf679690LamericaEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p002.pdftm_1997_/n0032_p0.dir1tm_1997_/n0031_p0/03.dirTemps moderns 1997, no. 31, p 003Serra, Antonitm_1997_n0031_p003.pdf0I I JSSSUtm_1997_n0031_p003.pdf1184782Les belles passantesMemòria de cel·luloide<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p003.pdftm_1997_/n0031_p0/03.dir1tm_1997_/n0038_p0/11.dirTemps moderns 1997, no. 38, p 011Salvà Lara, Jaumetm_1997_n0038_p011.pdf0CINEMAtm_1997_n0038_p011.pdf1185305Les mentides d'una gàbia de vidre. Per un cinema imperfecte (i III)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p011.pdftm_1997_/n0038_p0/11.dir1tm_1997_/n0036_p0/19.dirTemps moderns 1997, no. 36, p 019Oliver, Antonitm_1997_n0036_p019.pdf019 Les pe·ílcuels sobre fotògrafs i reporters de teelvtm_1997_n0036_p019.pdf1260619Les pel·lícules sobre fotògrafs i reporters de televisió<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p019.pdftm_1997_/n0036_p0/19.dir1tm_1997_/n0030_p0/07.dirTemps moderns 1997, no. 30, p 007Cuadrado Fernández, Perfectotm_1997_n0030_p007.pdf0LEStm_1997_n0030_p007.pdf1337914Literatura i cine de terrorLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p007.pdftm_1997_/n0030_p0/07.dir1tm_1997_/n0029_01.dirTemps moderns 1997, no. 29, p 010Figuera, Antonitm_1997_n0029_010.pdf0CINEMAtm_1997_n0029_010.pdf1505702Los chicos de la premsa. A l'entorn del llibre de Juan Carlos LavianaCinema i periodisme<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_010.pdftm_1997_/n0029_01.dir1tm_1997_/n0034_p0/07.dirTemps moderns 1997, no. 34, p 007Roca, Tonitm_1997_n0034_p007.pdf0e i Ion in the ññernoon o una mort de Earu Granttm_1997_n0034_p007.pdf1277917Love in the afternoon o una mort de Gary Grant<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p007.pdftm_1997_/n0034_p0/07.dir1tm_1997_/n0034_p0/22.dirTemps moderns 1997, no. 34, p 022Martorell, Margalidatm_1997_n0034_p022.pdf022 ïlark Isham: versatilitat i sensibilitattm_1997_n0034_p022.pdf1367574Mark Isham: versatilitat i sensibilitat<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p022.pdftm_1997_/n0034_p0/22.dir1tm_1997_/n0032_p0/17b.dirTemps moderns 1997, no. 32, p 017Barrera, Claudiotm_1997_n0032_p017b.pdf017tm_1997_n0032_p017b.pdf1002232Mars Attacks!, de Tim BurtonCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p017b.pdftm_1997_/n0032_p0/17b.dir1tm_1997_/n0029_01/6.dirTemps moderns 1997, no. 29, p 016Klynhout, Claudiotm_1997_n0029_016.pdf0CRÍTICAtm_1997_n0029_016.pdf1414154Más allá del jardín, dones de GalaCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_016.pdftm_1997_/n0029_01/6.dir1tm_1997_/n0032_p0/18b.dirTemps moderns 1997, no. 32, p 018Obrador, Joantm_1997_n0032_p018b.pdf018 El petit escàndol de Larry Flpttm_1997_n0032_p018b.pdf1174325Michael Collins, de Neil JordanCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p018b.pdftm_1997_/n0032_p0/18b.dir1tm_1997_/n0029_01/7b.dirTemps moderns 1997, no. 29, p 017Matesanz, Javiertm_1997_n0029_017b.pdf0til Banda sonoratm_1997_n0029_017b.pdf1324109Michael Nyman cineasta de pentagrama<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_017b.pdftm_1997_/n0029_01/7b.dir1tm_1997_/n0030_p0/06.dirTemps moderns 1997, no. 30, p 006Figuera, Antonitm_1997_n0030_p006.pdf0LEStm_1997_n0030_p006.pdf1515887Mitologia del terror. Per una poètica del gènereLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p006.pdftm_1997_/n0030_p0/06.dir1tm_1997_/n0032_p0/05.dirTemps moderns 1997, no. 32, p 005Mendiola, Josep Antonitm_1997_n0032_p005.pdf0einantatm_1997_n0032_p005.pdf984499Moltes bones pel·lícules i poques de necessàries<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p005.pdftm_1997_/n0032_p0/05.dir1tm_1997_/n0030_p0/13.dirTemps moderns 1997, no. 30, p 013Romaguera, Josep Carlestm_1997_n0030_p013.pdf0LEStm_1997_n0030_p013.pdf1239961Muñecos Infernales de Tod BrowingLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p013.pdftm_1997_/n0030_p0/13.dir1tm_1997_/n0034_p0/03.dirTemps moderns 1997, no. 34, p 003Franco, Joseptm_1997_n0034_p003.pdf0ttltm_1997_n0034_p003.pdf1415707MusicalGèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p003.pdftm_1997_/n0034_p0/03.dir1tm_1997_/n0029_01/8.dirTemps moderns 1997, no. 29, p 018Rotger, Francesc M.tm_1997_n0029_018.pdf0l Maride | nauna ]([] ]g tQQUÍS JílÉS, 53171 |tm_1997_n0029_018.pdf1151210No la toquis més, SamL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_018.pdftm_1997_/n0029_01/8.dir1tm_1997_/n0031_p0/15b.dirTemps moderns 1997, no. 31, p 015Matesanz, Javiertm_1997_n0031_p015b.pdf0CRITICAtm_1997_n0031_p015b.pdf1219643Otelo, d'Orson WellesCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p015b.pdftm_1997_/n0031_p0/15b.dir1tm_1997_/n0036_p0/15.dirTemps moderns 1997, no. 36, p 015Ortega, Elenatm_1997_n0036_p015.pdf0Guionistestm_1997_n0036_p015.pdf1147390Paddy ChayefskyGuionistes a Hollywood<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p015.pdftm_1997_/n0036_p0/15.dir2tm_1997_/n0032_p0/10.dirTemps moderns 1997, no. 32, p 010-011Figuera, Antonitm_1997_n0032_p010.pdf0§] Parlant de cine amh mi matem (I)tm_1997_n0032_p010.pdf1942807Parlant de cine amb mi mateix (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p010.pdftm_1997_/n0032_p0/10.dir1tm_1997_/n0035_p0/05.dirTemps moderns 1997, no. 35, p 005Salvà Lara, Jaumetm_1997_n0035_p005.pdf0Per un cinema imperfecte (i) Les mentides d'una gàbia de cristalltm_1997_n0035_p005.pdf1044247Per un cinema imperfecte (I)Les mentides d'una gàbia de cristall<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p005.pdftm_1997_/n0035_p0/05.dir1tm_1997_/n0036_p0/10.dirTemps moderns 1997, no. 36, p 010Salvà Lara, Jaumetm_1997_n0036_p010.pdf0Per un cinema imperfecte (li) Les mentides d'unatm_1997_n0036_p010.pdf1222612Per un cinema imperfecte (II)Les mentides d'una gàbia de vidre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p010.pdftm_1997_/n0036_p0/10.dir1tm_1997_/n0032_p0/12.dirTemps moderns 1997, no. 32, p 012Martín Jiménez, Ignaciotm_1997_n0032_p012.pdf0El miradortm_1997_n0032_p012.pdf1177695Persona: màscara: Plácido de García Berlanga.El mirador de l'infinit<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p012.pdftm_1997_/n0032_p0/12.dir1tm_1997_/n0030_p0/12.dirTemps moderns 1997, no. 30, p 012Genovart, Gabrieltm_1997_n0030_p012.pdf0LEStm_1997_n0030_p012.pdf1447490Planetes prohibitsLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p012.pdftm_1997_/n0030_p0/12.dir1tm_1997_/n0030_p0.dirTemps moderns 1997, no. 30, p 002Consell Editorialtm_1997_n0030_p002.pdf0Editorialtm_1997_n0030_p002.pdf965542Por: llengua i societatEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p002.pdftm_1997_/n0030_p0.dir1tm_1997_/n0032_p0/19.dirTemps moderns 1997, no. 32, p 019Consell Editorialtm_1997_n0032_p019.pdf0» I Programació cinema mes íW\\ \tm_1997_n0032_p019.pdf723750Programació cine Centre de Cultura "Sa Nostra" mes de Abril<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p019.pdftm_1997_/n0032_p0/19.dir1tm_1997_/n0030_p0/19.dirTemps moderns 1997, no. 30, p 019Consell Editorialtm_1997_n0030_p019.pdf0Programació cinetm_1997_n0030_p019.pdf1155659Programació cine Centre de Cultura "Sa Nostra", febrer i març<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p019.pdftm_1997_/n0030_p0/19.dir1tm_1997_/n0034_p0/23.dirTemps moderns 1997, no. 34, p 023Consell Editorialtm_1997_n0034_p023.pdf0I Programació cinema al Centre de Cultura "SA NOSTRA'tm_1997_n0034_p023.pdf1155363Programació cinema Centre de Cultura "Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p023.pdftm_1997_/n0034_p0/23.dir1tm_1997_/n0033_p0/23.dirTemps moderns 1997, no. 33, p 023Consell Editorialtm_1997_n0033_p023.pdf0Programació cinema al Centre de Cultura S A N O S T R Atm_1997_n0033_p023.pdf1027107Programació cinema Centre de Cultura "Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p023.pdftm_1997_/n0033_p0/23.dir1tm_1997_/n0035_p0/19.dirTemps moderns 1997, no. 35, p 019Consell Editorialtm_1997_n0035_p019.pdf0(ïfj I Programació cinema al [entre de Cultura "5a Ilustra"tm_1997_n0035_p019.pdf976156Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p019.pdftm_1997_/n0035_p0/19.dir1tm_1997_/n0036_p0/23.dirTemps moderns 1997, no. 36, p 023Consell Editorialtm_1997_n0036_p023.pdf023tm_1997_n0036_p023.pdf887239Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p023.pdftm_1997_/n0036_p0/23.dir1tm_1997_/n0037_p0/23b.dirTemps moderns 1997, no. 37, p 023Consell Editorialtm_1997_n0037_p023b.pdf023tm_1997_n0037_p023b.pdf966409Programació cinema Centre de Cultura 'Sa Nostra'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p023b.pdftm_1997_/n0037_p0/23b.dir1tm_1997_/n0035_p0/08.dirTemps moderns 1997, no. 35, p 008Barrera, Claudiotm_1997_n0035_p008.pdf0,.jpÇf '^>vtm_1997_n0035_p008.pdf1174550Publicine<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0035_p008.pdftm_1997_/n0035_p0/08.dir1tm_1997_/n0034_p0/10.dirTemps moderns 1997, no. 34, p 010Matesanz, Javiertm_1997_n0034_p010.pdf0Quentin l'omnipresenttm_1997_n0034_p010.pdf1377586Quentin l'omnipresent<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p010.pdftm_1997_/n0034_p0/10.dir1tm_1997_/n0033_p0/10.dirTemps moderns 1997, no. 33, p 010Sánchez-Cuenca, F. Javiertm_1997_n0033_p010.pdf0Aventurers a la forçatm_1997_n0033_p010.pdf1262009Qui no li compraria un cotxe de segona?Aventurers a la força<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p010.pdftm_1997_/n0033_p0/10.dir1tm_1997_/n0031_p0/15.dirTemps moderns 1997, no. 31, p 015Obrador, Joantm_1997_n0031_p015.pdf0CRITICAtm_1997_n0031_p015.pdf1219872Retrato de una Dama o 'The piano' segona partCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p015.pdftm_1997_/n0031_p0/15.dir1tm_1997_/n0030_p0/13b.dirTemps moderns 1997, no. 30, p 013Tous, Ramontm_1997_n0030_p013b.pdf0LEStm_1997_n0030_p013b.pdf1240155Rocky horror, mon amour de Broadway al recreatiuLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p013b.pdftm_1997_/n0030_p0/13b.dir1tm_1997_/n0032_p0/14b.dirTemps moderns 1997, no. 32, p 014Rotger, Francesc M.tm_1997_n0032_p014b.pdf0I Abecedari Fortunio Bonanova.(l) |tm_1997_n0032_p014b.pdf1093127Romeo, Julieta i Garcia L'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p014b.pdftm_1997_/n0032_p0/14b.dir1tm_1997_/n0029_01/4.dirTemps moderns 1997, no. 29, p 014Romaguera, Josep Carlestm_1997_n0029_014.pdf0CRÍTICAtm_1997_n0029_014.pdf1488238Rompiendo las olas. (Breaking the waves) de Lars Von TrierCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_014.pdftm_1997_/n0029_01/4.dir1tm_1997_/n0033_p0/17.dirTemps moderns 1997, no. 33, p 017Martí, Jorgetm_1997_n0033_p017.pdf0^ I Sairíiiiï La ventafocs de Long Islandtm_1997_n0033_p017.pdf1212977Sabrina: La ventafocs de Long Island<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p017.pdftm_1997_/n0033_p0/17.dir1tm_1997_/n0038_p0/14.dirTemps moderns 1997, no. 38, p 014-015Figuera, Antonitm_1997_n0038_p014.pdf0SAMUELtm_1997_n0038_p014.pdf2257971Samuel Fuller o la violència com a exercici de catarsi cinematogràficaSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p014.pdftm_1997_/n0038_p0/14.dir1tm_1997_/n0038_p0/16.dirTemps moderns 1997, no. 38, p 016Flores, Xaviertm_1997_n0038_p016.pdf0SAMUELtm_1997_n0038_p016.pdf1247893Samuel Fuller Stop És mort StopSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p016.pdftm_1997_/n0038_p0/16.dir1tm_1997_/n0038_p0/13.dirTemps moderns 1997, no. 38, p 013Vidal Amengual, Jaumetm_1997_n0038_p013.pdf0SAMUELtm_1997_n0038_p013.pdf1001873Samuel Fuller: El cine és acció i emociàSamuel Fuller<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p013.pdftm_1997_/n0038_p0/13.dir1tm_1997_/n0034_p0/20.dirTemps moderns 1997, no. 34, p 020Romaguera, Josep Carlestm_1997_n0034_p020.pdf0CRITICAtm_1997_n0034_p020.pdf1315378Secretos del corazón de Montxo ArmendárizCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p020.pdftm_1997_/n0034_p0/20.dir1tm_1997_/n0031_p0/17b.dirTemps moderns 1997, no. 31, p 017Romaguera, Josep Carlestm_1997_n0031_p017b.pdf0CRtm_1997_n0031_p017b.pdf1247948Shine, de Scott HicksCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p017b.pdftm_1997_/n0031_p0/17b.dir2tm_1997_/n0037_p0/04.dirTemps moderns 1997, no. 37, p 004-005Desola, Davidtm_1997_n0037_p004.pdf0SITGES '97tm_1997_n0037_p004.pdf2412005SITGES '97(El festival intermitent)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p004.pdftm_1997_/n0037_p0/04.dir1tm_1997_/n0030_p0/15.dirTemps moderns 1997, no. 30, p 015Obrador, Joantm_1997_n0030_p015.pdf0CRITICAtm_1997_n0030_p015.pdf1237503Sleepers ¿Apología de la injusticia?Crítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p015.pdftm_1997_/n0030_p0/15.dir1tm_1997_/n0029_00.dirTemps moderns 1997, no. 29, p 003Flores, Xaviertm_1997_n0029_003.pdf0Sobre el legretm_1997_n0029_003.pdf1365740Sobre el 'Negre'<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_003.pdftm_1997_/n0029_00.dir1tm_1997_/n0036_p0/18.dirTemps moderns 1997, no. 36, p 018Franco, Joseptm_1997_n0036_p018.pdf0I Sobre història del cinema espanyol (I) |tm_1997_n0036_p018.pdf1335656Sobre història del cinema espanyol (I)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0036_p018.pdftm_1997_/n0036_p0/18.dir1tm_1997_/n0038_p0/03.dirTemps moderns 1997, no. 38, p 003Franco, Joseptm_1997_n0038_p003.pdf0Sobre història del cinema espanyol (II)tm_1997_n0038_p003.pdf1133317Sobre història del cinema espanyol (II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p003.pdftm_1997_/n0038_p0/03.dir1tm_1997_/n0038_p0.dirTemps moderns 1997, no. 38, p 002Consell Editorialtm_1997_n0038_p002.pdf02tm_1997_n0038_p002.pdf796540Stardust memòriesEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p002.pdftm_1997_/n0038_p0.dir1tm_1997_/n0029_01/5.dirTemps moderns 1997, no. 29, p 015Revesado, Iñakitm_1997_n0029_015.pdf0CRITICAtm_1997_n0029_015.pdf1422258Surviving PicassoCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_015.pdftm_1997_/n0029_01/5.dir1tm_1997_/n0030_p0/09.dirTemps moderns 1997, no. 30, p 009Roca, Tonitm_1997_n0030_p009.pdf0LEStm_1997_n0030_p009.pdf1323637Tarda de terror al cinema AstoriaLes nostres pors<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0030_p009.pdftm_1997_/n0030_p0/09.dir1tm_1997_/n0038_p0/17.dirTemps moderns 1997, no. 38, p 017Barrera, Claudiotm_1997_n0038_p017.pdf017tm_1997_n0038_p017.pdf1242956Tardor Canyí<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p017.pdftm_1997_/n0038_p0/17.dir1tm_1997_/n0034_p0.dirTemps moderns 1997, no. 34, p 002Consell Editorialtm_1997_n0034_p002.pdf0Editorialtm_1997_n0034_p002.pdf1241137Temps de retallsEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p002.pdftm_1997_/n0034_p0.dir1tm_1997_/n0032_p0/16b.dirTemps moderns 1997, no. 32, p 016Romaguera, Josep Carlestm_1997_n0032_p016b.pdf016tm_1997_n0032_p016b.pdf1150493Territorio Comanche, de Gerardo HerreroCrítica<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0032_p016b.pdftm_1997_/n0032_p0/16b.dir1tm_1997_/n0034_p0/08.dirTemps moderns 1997, no. 34, p 008Garau, Blancatm_1997_n0034_p008.pdf0The MÍtm_1997_n0034_p008.pdf1256760The end<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0034_p008.pdftm_1997_/n0034_p0/08.dir1tm_1997_/n0037_p0.dirTemps moderns 1997, no. 37, p 003Consell Editorialtm_1997_n0037_p003.pdf0THE E·lHtm_1997_n0037_p003.pdf1121546The end<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p003.pdftm_1997_/n0037_p0.dir1tm_1997_/n0033_p0/13.dirTemps moderns 1997, no. 33, p 013Revesado, Iñakitm_1997_n0033_p013.pdf0tiltm_1997_n0033_p013.pdf1150687The Fortune Cookie(En bandeja de plata)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p013.pdftm_1997_/n0033_p0/13.dir1tm_1997_/n0029_00/8.dirTemps moderns 1997, no. 29, p 008Martí, Jorgetm_1997_n0029_008.pdf0@ I Tod Broujning: radiografia du'n visionartm_1997_n0029_008.pdf1364995Tod Browning: radiografia d'un visionari<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_008.pdftm_1997_/n0029_00/8.dir1tm_1997_/n0038_p0/19.dirTemps moderns 1997, no. 38, p 019Rotger, Francesc M.tm_1997_n0038_p019.pdf0ful L'escenari de llaunatm_1997_n0038_p019.pdf1145589Tot és mentidaL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p019.pdftm_1997_/n0038_p0/19.dir1tm_1997_/n0033_p0/03.dirTemps moderns 1997, no. 33, p 003Barrera, Claudiotm_1997_n0033_p003.pdf0Tots som Billy Ulildertm_1997_n0033_p003.pdf1162738Tots som Billy Wilder<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p003.pdftm_1997_/n0033_p0/03.dir1tm_1997_/n0037_p0/15.dirTemps moderns 1997, no. 37, p 015Ortega, Elenatm_1997_n0037_p015.pdf0ESPECIALtm_1997_n0037_p015.pdf1166896Treballant a casaEspecial Faulkner<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p015.pdftm_1997_/n0037_p0/15.dir1tm_1997_/n0037_p0/08.dirTemps moderns 1997, no. 37, p 008Rotger, Francesc M.tm_1997_n0037_p008.pdf0de Hamlet |tm_1997_n0037_p008.pdf1209713Tres quarts de HamletL'escenari de llauna<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0037_p008.pdftm_1997_/n0037_p0/08.dir1tm_1997_/n0038_p0/20.dirTemps moderns 1997, no. 38, p 020Desola, Davidtm_1997_n0038_p020.pdf0Trilogia de Hem Jerseytm_1997_n0038_p020.pdf1190355Trilogia de New JerseySexe, Còmics & Star Wars<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p020.pdftm_1997_/n0038_p0/20.dir1tm_1997_/n0031_p0/13.dirTemps moderns 1997, no. 31, p 013Porcel, Rafeltm_1997_n0031_p013.pdf0til Primer Platm_1997_n0031_p013.pdf1271525Una cara can ángelPrimer Pla<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0031_p013.pdftm_1997_/n0031_p0/13.dir3tm_1997_/n0038_p0/04.dirTemps moderns 1997, no. 38, p 004-006Leyva, Alejandrotm_1997_n0038_p004.pdf0CINEMAtm_1997_n0038_p004.pdf3644297Una experiència singularCinema soviètic<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p004.pdftm_1997_/n0038_p0/04.dir1tm_1997_/n0033_p0/11.dirTemps moderns 1997, no. 33, p 011Jordà, Eduardotm_1997_n0033_p011.pdf0(tf) Una partida d'escacs amb íulletes d'aíaitartm_1997_n0033_p011.pdf1180053Una partida d'escacs amb fulletes d'afaitar<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0033_p011.pdftm_1997_/n0033_p0/11.dir1tm_1997_/n0038_p0/18.dirTemps moderns 1997, no. 38, p 018Roca, Tonitm_1997_n0038_p018.pdf0Vivien Leigh visitala ciutat de Roma |tm_1997_n0038_p018.pdf1281354Vivien Leigh visitala ciutat de Rom<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p018.pdftm_1997_/n0038_p0/18.dir1tm_1997_/n0029_00/4.dirTemps moderns 1997, no. 29, p 004-005Franco, Joseptm_1997_n0029_004.pdf0Itm_1997_n0029_004.pdf2750067WesternEls gèneres cinematogràfics<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0029_004.pdftm_1997_/n0029_00/4.dir1tm_1997_/n0033_p0/06.dirTemps moderns 1997, no. 33, p 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<p><em><strong>Temps Moderns. Papers de Cinema</strong></em></p> <p><em>Temps Moderns. Papers de Cinema</em> és una revista de divulgació per a cinèfils, editada pel Centre de Cultura Sa Nostra i dirigida, des de desembre de 1994, per Jaume Vidal Amengual. En una primera època presentava el subtítol <em>Fulls de Cinema</em>, que deixà d’aparèixer, i no serà fins al número 30, de 1997, que hi apareixerà el subtítol <em>Papers de Cinema</em>.</p> <p>Des del seu inici se n’han publicat 158 números, en els quals han col·laborat una cinquantena de firmes del món del periodisme, la història i les arts escèniques de les illes Balears. </p> <p>El nom de la publicació <em>Temps Moderns</em> vol ser l'homenatge a un mestratge, el reconeixement a una gran obra realitzada l'any 1936, i sobretot, a la figura del seu autor. «Temps moderns foren aquells per a Chaplin i temps moderns són aquests per a tots nosaltres en una demostració que el cinema no mor», deia l’editorial del número u, de març de 1994.</p> <p><strong>Fitxa tècnica</strong></p> <p>Editor: Centre de Cultura «Sa Nostra», Caixa de Balears<br> Director: Jaume Vidal Amengual<br> Periodicitat: mensual, setmanal<br> Llengua: català<br> Primer número: 1994<br> Darrer número (núm. 158): 2009logo_home.jpglogo_collection.jpgTemps Moderns. Papers de CinemaTitolsAutorResumText completParaula clauAny de publicacióMatèria en cataláMatèria en anglèstextTitleSourcedocumentdc.CreatorText completAny de publicació{"name":"dc.Title","label":"Title","tooltip":"dc.Title: A name given to the resource.","type":"text"}, {"name":"dc.Creator","label":"Creator","tooltip":"dc.Creator: An entity primarily responsible for making the content of the resource.","type":"text"}, {"name":"dc.Description","label":"Description","tooltip":"dc.Description: An account of the content of the resource.","type":"text"}documentTítolMatèria en catalàMatèria en anglèsAutorCerca de textCercarServei de cerca de text complet i/o cerca de metadadesCoincidència ambOrdenar resultats de cerca perOrdre inversÍndex de cercaNombre de resultats per pàginaCadena de cercaFormulari de cercaCercaCamp de cerca senzillCoincidència ambOrdenar resultats de cerca perOrdre inversNombre de resultats per pàginaParaula o fraseal campAdvanced SearchCercaAdvanced fielded searchingOrdenar resultats de cerca perOrdre inversParaula o fraseal campNombre de resultats per pàginaExaminaBrowse pre-defined classification hierarchiestítolBrowse by TítolAutorBrowse by CreadorMatèriaBrowse by Catalan_subjectAnyBrowse by Datavolums completsBrowse by Títoleduard.delvalle@uib.estrue2692lucenetempsModernsgdbm16936230971693562361/greenstone/sites/localsite/collect/tempsModernsuntidy