abcdefghijklmnopqrstu1tm_2004_/n0103_p0/40.dirTemps moderns 2004, no. 103, p 040Consell Editorialtm_2004_n0103_p040.pdf0f¿) I ï [URS SOBRE ELtm_2004_n0103_p040.pdf1476768V Curs sobre el cinema<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2004_n0103_p040.pdftm_2004_/n0103_p0/40.dir1tm_1999_/n0052_p0/20.dirTemps moderns 1999, no. 52, p 020Revesado, Iñakitm_1999_n0052_p020.pdf020tm_1999_n0052_p020.pdf1172813Va de centenaris<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1999_n0052_p020.pdftm_1999_/n0052_p0/20.dir1tm_1995_/n0010_p0/04.dirTemps moderns 1995, no. 010, p 004Obrador, Joantm_1995_n0010_p004.pdf0Itm_1995_n0010_p004.pdf1147862Vampirs<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1995_n0010_p004.pdftm_1995_/n0010_p0/04.dir1tm_2005_/n0110_p0/13.dirTemps moderns 2005, no. 110, p 013González, Hazaeltm_2005_n0110_p013.pdf0mtm_2005_n0110_p013.pdf1371477Vangelis. el MagneBandes de so<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2005_n0110_p013.pdftm_2005_/n0110_p0/13.dir1tm_2005_/n0110_p0/40.dirTemps moderns 2005, no. 110, p 040-041Revesado, Iñakitm_2005_n0110_p040.pdf0CINEMAtm_2005_n0110_p040.pdf3481728Vencedores o vencidos d'Stanley KramerCinema a Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2005_n0110_p040.pdftm_2005_/n0110_p0/40.dir2tm_2008_/n0142_p0/11.dirTemps moderns 2008, no. 142, p 011-012Fiol Pons, Guillemtm_2008_n0142_p011.pdf0¿Vencedores o Vencidos? (El juicio de Nuremberg)tm_2008_n0142_p011.pdf70899¿Vencedores o Vencidos? (El juicio de Nuremberg)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2008_n0142_p011.pdftm_2008_/n0142_p0/11.dir1tm_1998_/n0047_p0/11.dirTemps moderns 1998, no. 47, p 011Martí, Jorgetm_1998_n0047_p011.pdf0Les ciutats i el cinetm_1998_n0047_p011.pdf1257859Venècia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1998_n0047_p011.pdftm_1998_/n0047_p0/11.dir1tm_1996_/n0028_p0/12.dirTemps moderns 1996, no. 28, p 012Roca, Tonitm_1996_n0028_p012.pdf0C INEMAtm_1996_n0028_p012.pdf925187Venies del Món del CinemaCinema negre<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1996_n0028_p012.pdftm_1996_/n0028_p0/12.dir2tm_2009_/n0157_p0.dirTemps moderns 2009, no. 157, p 002-003Consell Editorialtm_2009_n0157_p002.pdf0Editoriatm_2009_n0157_p002.pdf827087Vent de PonentEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0157_p002.pdftm_2009_/n0157_p0.dir1tm_1999_/n0054_p0/10.dirTemps moderns 1999, no. 54, p 010Font, Miquel S.tm_1999_n0054_p010.pdf0Versions d'un Secret (i III)tm_1999_n0054_p010.pdf1326646Versions d'un Secret (i III)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1999_n0054_p010.pdftm_1999_/n0054_p0/10.dir1tm_1999_/n0050_p0/08.dirTemps moderns 1999, no. 50, p 008-009Font, Miquel S.tm_1999_n0050_p008.pdf0CINEMAtm_1999_n0050_p008.pdf2832430Versions d'un Secret (I)Cinema a les illes<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1999_n0050_p008.pdftm_1999_/n0050_p0/08.dir1tm_1999_/n0052_p0/14.dirTemps moderns 1999, no. 52, p 014Font, Miquel S.tm_1999_n0052_p014.pdf0Versions d'un Secret (II)tm_1999_n0052_p014.pdf1358853Versions d'un Secret (II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1999_n0052_p014.pdftm_1999_/n0052_p0/14.dir2tm_2008_/n0143_p0.dirTemps moderns 2008, no. 143, p 002-003Consell Editorialtm_2008_n0143_p002.pdf0Editorial Versions no originalstm_2008_n0143_p002.pdf100370Versions no originalsEditorial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2008_n0143_p002.pdftm_2008_/n0143_p0.dir2tm_1994_/n0004_p0/03b.dirTemps moderns 1994, no. 4, p 003-004Ortega, Elenatm_1994_n0004_p003b.pdf0Com un grapat de papallonestm_1994_n0004_p003b.pdf1239178Vés-te'n a l'oest, jove escriptor<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1994_n0004_p003b.pdftm_1994_/n0004_p0/03b.dir1tm_2002_/n0088_p0/33.dirTemps moderns 2002, no. 88, p 033Consell Editorialtm_2002_n0088_p033.pdf0¡Vete a saber!"tm_2002_n0088_p033.pdf1101858"¡Vete a saber!"Cinema a Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2002_n0088_p033.pdftm_2002_/n0088_p0/33.dir2tm_2001_/n0075_p0/22.dirTemps moderns 2001, no. 75, p 022-024Figuera, Antonitm_2001_n0075_p022.pdf0VBliïB knÈCJa i morir. Thomas marni i Luchino Viscontitm_2001_n0075_p022.pdf3836936Veure Venècia i morir. Thomas Mann i Luchino Visconti<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2001_n0075_p022.pdftm_2001_/n0075_p0/22.dir1tm_1998_/n0041_p0/05.dirTemps moderns 1998, no. 41, p 005Barrera, Claudiotm_1998_n0041_p005.pdf0(siltm_1998_n0041_p005.pdf1170234Vicis privats<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1998_n0041_p005.pdftm_1998_/n0041_p0/05.dir1tm_1994_/n0004_p0/08.dirTemps moderns 1994, no. 4, p 008Iraizoz, Alinatm_1994_n0004_p008.pdf0Latm_1994_n0004_p008.pdf645752Vídeo - dansa:Un nou llenguatge del cos i de la imatge<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1994_n0004_p008.pdftm_1994_/n0004_p0/08.dir1tm_1994_/n0003_p0/08.dirTemps moderns 1994, no. 3, p 008Da Cruz, José Ramontm_1994_n0003_p008.pdf0Tnnnnrtm_1994_n0003_p008.pdf1443825Vídeo de creació a Espanya: èxtasi i simetria<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1994_n0003_p008.pdftm_1994_/n0003_p0/08.dir2tm_2004_/n0103_p0/15.dirTemps moderns 2004, no. 103, p 015-016Estrany, Joantm_2004_n0103_p015.pdf0Videoclubs, el fetitmsme dels BD. La mitj a polzada t a 25 anystm_2004_n0103_p015.pdf2770398Videoclubs, el fetitxisme dels 80. La mitja polzada fa 25 anys<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2004_n0103_p015.pdftm_2004_/n0103_p0/15.dir1tm_2006_/n0122_p0/09.dirTemps moderns 2006, no. 122, p 009Rotger, Francesc M.tm_2006_n0122_p009.pdf0La pel·lícula de la històriatm_2006_n0122_p009.pdf991830Vides exemplars... o no tantLa pel·lícula de la història<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2006_n0122_p009.pdftm_2006_/n0122_p0/09.dir1tm_1998_/n0042_p0/14.dirTemps moderns 1998, no. 42, p 014Gomila, Peretm_1998_n0042_p014.pdf014tm_1998_n0042_p014.pdf1303238Vides paralel·les"James Dean-River Phoenix-Leornardo Di Caprio"<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1998_n0042_p014.pdftm_1998_/n0042_p0/14.dir1tm_1998_/n0043_p0/14.dirTemps moderns 1998, no. 43, p 014Gomila, Peretm_1998_n0043_p014.pdf014tm_1998_n0043_p014.pdf1269969Vides paralel·les (i II)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1998_n0043_p014.pdftm_1998_/n0043_p0/14.dir2tm_2002_/n0082_p0/32.dirTemps moderns 2002, no. 82, p 032-034Sansó Vanrell, Sebastiàtm_2002_n0082_p032.pdf032 Vidocq: el débat sobre Militât dels etectes digitalstm_2002_n0082_p032.pdf3657619Vidocq: el débat sobre l'utilitat dels efectes digitals<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2002_n0082_p032.pdftm_2002_/n0082_p0/32.dir1tm_2000_/n0060_p0/10.dirTemps moderns 2000, no. 60, p 010Serra, Antonitm_2000_n0060_p010.pdf0I Viena: una actriu Hedy Lamarr |tm_2000_n0060_p010.pdf1276857Viena: una actriu Hedy Lamarr<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0060_p010.pdftm_2000_/n0060_p0/10.dir2tm_2004_/n0099_p0/23.dirTemps moderns 2004, no. 99, p 023-025Gubern, Romàtm_2004_n0099_p023.pdf0(sM % in c f l estètica de Jacques Tatitm_2004_n0099_p023.pdf4504702Vigència estètica de Jacques Tati<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2004_n0099_p023.pdftm_2004_/n0099_p0/23.dir4tm_2004_/n0102_p0/08.dirTemps moderns 2004, no. 102, p 008-012Genovart, Gabrieltm_2004_n0102_p008.pdf0Vigilau el cel!tm_2004_n0102_p008.pdf7470597Vigilau el cel!<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2004_n0102_p008.pdftm_2004_/n0102_p0/08.dir1tm_2004_/n0103_p0/33.dirTemps moderns 2004, no. 103, p 033Grignano, Carlotm_2004_n0103_p033.pdf0Vint anys de comunicano a les Balearstm_2004_n0103_p033.pdf1191429Vint anys de comunicació a les Balears<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2004_n0103_p033.pdftm_2004_/n0103_p0/33.dir2tm_2000_/n0065_p0/10.dirTemps moderns 2000, no. 65, p 010-011Romaguera, Joan Carlestm_2000_n0065_p010.pdf010tm_2000_n0065_p010.pdf1952712Vint-i-quatre emocions per segonApunts a contrallum<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0065_p010.pdftm_2000_/n0065_p0/10.dir1tm_2005_/n0110_p0/26.dirTemps moderns 2005, no. 110, p 026Consell Editorialtm_2005_n0110_p026.pdf026tm_2005_n0110_p026.pdf1425195Virginia MayoIn memoriam<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2005_n0110_p026.pdftm_2005_/n0110_p0/26.dir2tm_2008_/n0145_p0/17.dirTemps moderns 2008, no. 145, p 017-018Coronado, Àngelatm_2008_n0145_p017.pdf0Treballant en curttm_2008_n0145_p017.pdf89984Visca el terrorisme domèstic: Eva Boom o la explosión plástica, d’Àlex MarínTreballant en curt<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2008_n0145_p017.pdftm_2008_/n0145_p0/17.dir2tm_2009_/n0155_p0/04.dirTemps moderns 2009, no. 155, p 004-005Alenyà, Miqueltm_2009_n0155_p004.pdf0VISIÓ DIGITALtm_2009_n0155_p004.pdf2092657Visió digitalPhantom (F.W. Murnau, 1922)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0155_p004.pdftm_2009_/n0155_p0/04.dir2tm_2009_/n0156_p0/06.dirTemps moderns 2009, no. 156, p 006-007Alenyà, Miqueltm_2009_n0156_p006.pdf0VISIÓ DIGITALtm_2009_n0156_p006.pdf1861417Visió digitalLa terra trema (1948), Luchino Visconti<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0156_p006.pdftm_2009_/n0156_p0/06.dir2tm_2009_/n0157_p0/06.dirTemps moderns 2009, no. 157, p 006-007Alenyà, Miqueltm_2009_n0157_p006.pdf0VISIO DIGITALtm_2009_n0157_p006.pdf1327921Visió digitalHold back the dawn (Si no amaneciera, 1941), Mitchell Leisen<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0157_p006.pdftm_2009_/n0157_p0/06.dir2tm_2009_/n0155_p0/06.dirTemps moderns 2009, no. 155, p 006-007Alenyà, Miqueltm_2009_n0155_p006.pdf0VISIÓ DIGITALtm_2009_n0155_p006.pdf1989607Visió digitalL'home de Londres (Bela Tarr, 2007)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0155_p006.pdftm_2009_/n0155_p0/06.dir2tm_2009_/n0153_p0/04.dirTemps moderns 2009, no. 153, p 004-005Alenyà, Miqueltm_2009_n0153_p004.pdf0VISIÓ DIGITALtm_2009_n0153_p004.pdf1899599Visió digitalVampyr, la bruja vampiro (1932), de Cari Theodor Dreyer<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0153_p004.pdftm_2009_/n0153_p0/04.dir2tm_2009_/n0154_p0/04.dirTemps moderns 2009, no. 154, p 004-005Alenyà, Miqueltm_2009_n0154_p004.pdf0VISIÓ DIGITALtm_2009_n0154_p004.pdf2001011Visió digitalIncident a Ox-bow (1943)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0154_p004.pdftm_2009_/n0154_p0/04.dir2tm_2009_/n0153_p0/06.dirTemps moderns 2009, no. 153, p 006-007Alenyà, Miqueltm_2009_n0153_p006.pdf0VISIÓ DIGITALtm_2009_n0153_p006.pdf2168850Visió digitalThe Window (La Ventana ), Ted Tetzlaff, 1949<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2009_n0153_p006.pdftm_2009_/n0153_p0/06.dir4tm_2008_/n0148_p0/04.dirTemps moderns 2008, no. 148, p 004-007Jiménez, Xaviertm_2008_n0148_p004.pdf0Visita a // Museo Nazionole del Cinema. Torí# Itàliatm_2008_n0148_p004.pdf1019867Visita a II Museo Nazionole del Cinema. Torí, Itàlia<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2008_n0148_p004.pdftm_2008_/n0148_p0/04.dir1tm_2000_/n0064_p0/08.dirTemps moderns 2000, no. 64, p 008Aguiló, Catalinatm_2000_n0064_p008.pdf01313= Visita reialtm_2000_n0064_p008.pdf11598241913: Visita reial<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2000_n0064_p008.pdftm_2000_/n0064_p0/08.dir2tm_1998_/n0043_p0/12.dirTemps moderns 1998, no. 43, p 012-013Consell Editorialtm_1998_n0043_p012.pdf0Vive la petÜE íiffEréncetm_1998_n0043_p012.pdf2376924Vive la petite différence. (Un brindis per la comèdia nord-americana)<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1998_n0043_p012.pdftm_1998_/n0043_p0/12.dir1tm_2005_/n0117_p0/41.dirTemps moderns 2005, no. 117, p 041Freixas, Ramontm_2005_n0117_p041.pdf0CINEMA Atm_2005_n0117_p041.pdf155701Vivement dimancheCinema a Sa Nostra<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2005_n0117_p041.pdftm_2005_/n0117_p0/41.dir1tm_1997_/n0038_p0/18.dirTemps moderns 1997, no. 38, p 018Roca, Tonitm_1997_n0038_p018.pdf0Vivien Leigh visitala ciutat de Roma |tm_1997_n0038_p018.pdf1281354Vivien Leigh visitala ciutat de Rom<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1997_n0038_p018.pdftm_1997_/n0038_p0/18.dir1tm_1996_/n0022_p0/15.dirTemps moderns 1996, no. 22, p 015Obrador, Joantm_1996_n0022_p015.pdf0«9Vol el Festival Berlinès convertir els seus "Ossos" en Oscars" de Segonatm_1996_n0022_p015.pdf933910¿Vol el Festival Berlinès convertir els seus "Ossos" en "Oscars" de Segona divisió?<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_1996_n0022_p015.pdftm_1996_/n0022_p0/15.dir2tm_2006_/n0123_p0.dirTemps moderns 2006, no. 123, p 004-005Roca, Tonitm_2006_n0123_p004.pdf0Volver, el millor Almodóvar?tm_2006_n0123_p004.pdf2001457Volver, el millor Almodóvar?<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2006_n0123_p004.pdftm_2006_/n0123_p0.dir2tm_2006_/n0124_p0/05.dirTemps moderns 2006, no. 124, p 005-006Fabregat, Carlestm_2006_n0124_p005.pdf0Volver: versemblança i artificitm_2006_n0124_p005.pdf2074994Volver: versemblança i artifici<img src='interfaces/default/images/ipdf.gif' border='0'/>tm_2006_n0124_p005.pdftm_2006_/n0124_p0/05.dirvwxyz<br/><br/>
<p><em><strong>Temps Moderns. Papers de Cinema</strong></em></p> <p><em>Temps Moderns. Papers de Cinema</em> és una revista de divulgació per a cinèfils, editada pel Centre de Cultura Sa Nostra i dirigida, des de desembre de 1994, per Jaume Vidal Amengual. En una primera època presentava el subtítol <em>Fulls de Cinema</em>, que deixà d’aparèixer, i no serà fins al número 30, de 1997, que hi apareixerà el subtítol <em>Papers de Cinema</em>.</p> <p>Des del seu inici se n’han publicat 158 números, en els quals han col·laborat una cinquantena de firmes del món del periodisme, la història i les arts escèniques de les illes Balears. </p> <p>El nom de la publicació <em>Temps Moderns</em> vol ser l'homenatge a un mestratge, el reconeixement a una gran obra realitzada l'any 1936, i sobretot, a la figura del seu autor. «Temps moderns foren aquells per a Chaplin i temps moderns són aquests per a tots nosaltres en una demostració que el cinema no mor», deia l’editorial del número u, de març de 1994.</p> <p><strong>Fitxa tècnica</strong></p> <p>Editor: Centre de Cultura «Sa Nostra», Caixa de Balears<br> Director: Jaume Vidal Amengual<br> Periodicitat: mensual, setmanal<br> Llengua: català<br> Primer número: 1994<br> Darrer número (núm. 158): 2009logo_home.jpglogo_collection.jpgTemps Moderns. Papers de CinemaTitolsAutorResumText completParaula clauAny de publicacióMatèria en cataláMatèria en anglèstextTitleSourcedocumentdc.CreatorText completAny de publicació{"name":"dc.Title","label":"Title","tooltip":"dc.Title: A name given to the resource.","type":"text"}, {"name":"dc.Creator","label":"Creator","tooltip":"dc.Creator: An entity primarily responsible for making the content of the resource.","type":"text"}, {"name":"dc.Description","label":"Description","tooltip":"dc.Description: An account of the content of the resource.","type":"text"}documentTítolMatèria en catalàMatèria en anglèsAutornullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnullnulltítolnullAutornullMatèrianullAnynullvolums completsnulleduard.delvalle@uib.estrue2692lucenetempsModernsgdbm16936230971693562361/greenstone/sites/localsite/collect/tempsModernsuntidy